Ressha Sentai ToQger vs. Kamen Rider Gaim: Spring Break Combined Special!

Yet, Agito is still the superior show. Pretty obvious which one has the better formula here.

Gaim manages to be a story focused show that actually focuses on the supernatural and action element of the series, alongside the main plot, unlike most of Inoue's stories, which focus heavily on side elements and slice of life during a large part of their running time. It's a different style, and I don't see how it's invalid. You might prefer the other one, but that doesn't make it the only one.

All the plot so far has only been a rush job of showcasing Big Ideas after Big Ideas that comes with the sacrifice of the characters and a cohesive story.

The focus isn't on the characters daily lives, but they still give enough to have a clear idea about the characters as they matter to the main plot.

Its not "forcing to care" if we have actual lasting impacts on the other characters. Its a bad thing because this is a character that is supposed to have a presence, yet is relegated to few seconds of mentioning when its absolutely inescapable because of the narrative.

How can something have an important impact on anyone when as you said yourself, the character isn't important?
That's exactly the point. It won't have an effect on the viewer, so it won't receive much screentime or focus. It's just addressed as necessary by the narrative. Trying to make the viewer feel for someone they barely know is a big mistake that just ends up backfiring most of the time, and they expertly avoided that here.

Tell me then, about Kaito. How does Kaito work in different enviroments? What other personality does he have other than a childish obsession with power and bad pseudo-machiavellianism?

Kaito not only condemns the weak, he also incentives others to grow stronger, like shown when he rescued the kid from the tree in the beginning of the show, when he praised Gaim while being his rival and even when he gave a belt to his former team member.

It's clear that he attempts to be a serious person and doesn't take well to making fun of him (like the "banana" situation). He has been shown playing cards in his hangout, and also revealed that his interest in dancing was just for the power it could give him, which is why he left the group afterwards.

What does Kaito do in his down-time? How does he get the money for all the stuff he has? Why does he have his lackeys? How do the other characters feel about Kaito besides a slight nod and sometimes minor disagreements?

It was clearly established that Beat Riders during the Invess game phase got a lot of money, and Kaito's team was one of the highest ranking ones. So far, the characters outside of his team seem him as someone not approachable , but still close to them in some ways (like when they attempted to make alliances between the Beat Riders early on and already expect that it'd be hard to get Kaito if they didn't have some advantage for his side).

Alright. How did the Invess game come around? Did any character have any question about the Invess? Even when there are no Invess, why are there still that many people?

We didn't see how the Invess game started, but we know that it was Yggdrazil that distributed the lockseeds and what their goal was behind it. Also, there aren't really many people post Invess. Even the dance event in the crossover episode seemed to have a really small crowd compared to the earlier ones. And, in spite of those positive internet comments during their collective dance event (which had no live crowd), we've seen that the average people still dislikes them afterwards.

Yet, I still learned more about Haruto in the first 10 episodes of Wizard, about his personality, his quirks, his insecurities, how he interacts with different situations and people and his past than I have of Kouta.

Because he had a convenient childhood trauma and liked donuts? We learn right from the start that Kouta is somewhat self sacrificial, left his hobby to help his sister, and now is planning to carry a heavy burden alone in order to avoid hurting anyone else. We learn that he wants to become more like an adult, but his sister still sees him as childish - and self serving, as opposed to the self sacrificial view held by Mai. Just because it isn't tied to some convenient flashback and traumatic event it doesn't mean that it isn't there.

And, really, you have a good idea about Haruto's personality? They never even seemed to decide if he was supposed to be somewhat smug and arrogant, superficially, or just a normal sarcastic guy. He'd say things like "I'm the last hope" as catchphrases that didn't seem to fit at all with his standard behavior.

So was Wizard, but the difference is Wizard handles it much better than Gaim. Wizard didn't make awkward pseudo-philosophical filibusters, characters didn't make expositions underlining the themes of the show. The theme came strictly from character motivation and action and their backstory.

In Wizard, the theme managed to suppress any kind of logic or internal consistency that the series built several times. The WizardDragon became good and befriended Haruto why exactly? It didn't have any subtleness at all. They also managed to completely forget to characterize important, plot relevant, elements of their final villain (Gremlin wants to become human again... why?)

Sagara gave an exposition about what he believes in and cheered up Kouta, but it's not like it was forced or unfitting for the narrative. He was clearly waiting for someone who could follow his path, and sees that in Kouta. I don't see why the main hero receiving backing from someone somehow hurts what's happening going forward. How is that worse than things just coming from nowhere just because the main character has "feelings"?

This isn't Faiz where for unexplained reasons that the viewer can only assume antagonists end up giving new equipment to the hero at certain points.
 
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Yuuya himself wasn't important. It was Kouta's realization that he killed somebody he thought of as a friend. Would have had similar impact if it was anybody he knew.
The problem is its a friend that we know and care next to nothing about.

But the only episode that really raised questions about Mai's family is this one so far, and it was definitely not a plot-progressing episode.
No, I'd say I raised those question quite a while beforehand too.

Didn't Wizard have Haruto use the word "hope" whenever he could? I didn't see the show beyond the Decade special, but the themes don't sound like they came "strictly from character motivation and action and their backstory" if it still needed someone to talk about it like that.
The difference here is Wizard says the word hope, and Gaim does weak uneducated filibusters on the human condition and social dynamics.

Well, they're characters in a story. Seeing characters do things that aren't relevant to the bigger ongoing plotlines can be fun, but I don't know how that's really necessary. And characters can't do anything without the staff and actors anyway, so they always are pawns by definition, even when they don't look like it.
Except stories shouldn't be written where that is obvious.

Gaim manages to be a story focused show that actually focuses on the supernatural and action element of the series, alongside the main plot, unlike most of Inoue's stories, which focus heavily on side elements and slice of life during a large part of their running time. It's a different style, and I don't see how it's invalid. You might prefer the other one, but that doesn't make it the only one.
Problem is that focus comes with the detriment of everything else, and in of itself is relied on Big Ideas to wow the audience, but nothing to support it.

That's exactly the point. It won't have an effect on the viewer, so it won't receive much screentime or focus. It's just addressed as necessary by the narrative. Trying to make the viewer feel for someone they barely know is a big mistake that just ends up backfiring most of the time, and they expertly avoided that here.
... But that again is just not a good thing.

Okay, I already answered this very same arguement in a different thread, so I'm gonna make a short reiteration:
This isn't the only way to do this and Gaim builts its story elements on Yuuya's disappearance. But without any reason to care, there is thus no reason to care about the story elements either.

Because he had a convenient childhood trauma and liked donuts?
... I don't think you know what plot convenient means.

We learn right from the start that Kouta is somewhat self sacrificial, left his hobby to help his sister, and now is planning to carry a heavy burden alone in order to avoid hurting anyone else. We learn that he wants to become more like an adult, but his sister still sees him as childish - and self serving, as opposed to the self sacrificial view held by Mai. Just because it isn't tied to some convenient flashback and traumatic event it doesn't mean that it isn't there.
Except it isn't there. Have we actually seen this self-service in any kind of effect other than that one or two episodes? Does it make a lick of difference in the rest of the show? Self-sacrifice maybe, but its not in anyway more remarkeable from any other Rider.
And what does these ultimately tell about Kouta other than being extensions of being nice?

And notice how most of these come from the first five episodes, and have since then not been an any kind of factor since, what, the one episode after the christmas ones?

And, really, you have a good idea about Haruto's personality? They never even seemed to decide if he was supposed to be somewhat smug and arrogant, superficially, or just a normal sarcastic guy. He'd say things like "I'm the last hope" as catchphrases that didn't seem to fit at all with his standard behavior.
... You know those things aren't mutually exclusive, right? I don't want to sound dickish, but this is implying a rather rigid and narrow view on characterization on your part.

In Wizard, the theme managed to suppress any kind of logic or internal consistency that the series built several times. The WizardDragon became good and befriended Haruto why exactly? It didn't have any subtleness at all. They also managed to completely forget to characterize important, plot relevant, elements of their final villain (Gremlin wants to become human again... why?)
First, those latter point have zero to do with the premise of your blanket statement of an arguement. Second, how is Wizardragon's turn questionable yet the pathos with Yuuya isn't? I am very confused by the priorities you are setting here. Weird alien being in the background giving superpowers is put in question, but a character whom the show has explicitly built its character and story elements on shouldn't?
Okay, let's put up an example. Imagine if Narumi Sokichi in W. Now imagine if he were completely removed from the show, sans a few vague mentions on how Shotaro can't tell Akiko, and maybe that flashback at the beginning. No Movie Wars, no character comparisons, no speeches about " being hard-boiled" or whatever. He is just a vague figure we are just supposed to care about excusively by that he is Shotaro's mentor, nothing else.
Now of course, Narumi of the show has a lot more significance than what the narrative insists on about Yuuya, but it illustrates the same point.

Was it then be "a waste of time" with giving Narumi those small hints of character?

And third, you should probably not argue anything about Wizard anymore if the extent of your understanding of is this lacking and filtered through overt bias.

Sagara gave an exposition about what he believes in and cheered up Kouta, but it's not like it was forced or unfitting for the narrative.
"Cheer up" is not what that scene did.
See, you are arguing through the internalized logic of the show, but Im arguing about just how overall its executed badly

This isn't Faiz where for unexplained reasons that the viewer can only assume antagonists end up giving new equipment to the hero at certain points. He was clearly waiting for someone who could follow his path, and sees that in Kouta. I don't see why the main hero receiving backing from someone somehow hurts what's happening going forward. How is that worse than things just coming from nowhere just because the main character has "feelings"?
Except this is exactly what's happening here. "He clearly was waiting" is only there as a decoration for what essentially is the same as what Faiz is doing. Randomly giving new equipment so that the hero can keep brute-forcing through the narrative to "break even" in the most vaguest sense.
The only difference is that they are prettifying it with one random character to give exposition about the themes of the show and how Kouta should adhere to these themes.

And your vague diss at Wizard: You know, atleast that was actually built on actual character growth and established ideas of Haruto's character. Atleast there it went through motions and Haruto had to do something to earn the Infinity Upgrade. The scene with the kid was actual consoling that the DJ Sagara tries to do but fails. In that scene there was actual emotional interaction that also subtly reinstates the themes of the show and the way Haruto relates to them, which incidentially have also been established way back in the show.
The scenes in Gaim is exposition that blatantly states what Kouta should be doing and just hands Kouta a new superpower without any merit of his own other than that's his role now.

In Wizard, we had different characters reacting to the situation and interacting with Haruto through it 'till the climax of the episode. In Gaim, Micchy was there to give his usual spiel and then DJ Sagara shows up and all things are solved, just put on that magic band-aid and it'll be alright. Oh, there was also mystical Mai, but what she is doing is basically just an extension of what DJ Sagara is doing.

And I didn't even get into how this revelation completely hinges on Kouta being dumb enough to never think that "Hase => Invess = Yuuya => Invess". And don't tell me "that's because Kouta wanted to think Yuuya was still out there" and all that. You are putting words in the writing's mouth, not what the writing is actually doing, which is ignoring Yuuya sans few scant mentions for the explicit purpose of being a plot revelation.

Or that this show is now becoming more and more of a PMMM rehash, which in itself was rehash of Utena and Kamen Rider Ryuki.
 
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Not really gonna join into the convo, just putting my 2cents...

That being that: I love Gaim but, I really can't say that it's better than Agito.. I just can't.
 
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Also without joining the conversation, I'm going to provide my tuppence and say that I enjoyed Agito, but think that Gaim is much better.
 
and following the seniors above, i just wanna say i loooooove gaim too, and doesn't care about the rant dat guy spouted about :eyebrow:

although i want to see more narutaki shows up in any special episode in the future :disappoin
 
The problem is its a friend that we know and care next to nothing about.

Like I said, we have no reason to care about him. When a hero puts effort to rescue bystanders, or gets upset that they couldn't save one, do you complain we know nothing about bystanders? Because this is basically a case like that.

No, I'd say I raised those question quite a while beforehand too.
Then how is this any different from all those other times where characters' personal lives are never elaborated upon because they're not important?

The difference here is Wizard says the word hope, and Gaim does weak uneducated filibusters on the human condition and social dynamics.
While I'm not familiar with Wizard, saying a word relevant to the story themes isn't exactly "educated", either. I'm about halfway through Fourze, and Gentaro's "I'll make friends with everybody" lines is so far the worst way the show eve underlined. Even other characters were unimpressed and were only affected when he did basically anything else.

Except stories shouldn't be written where that is obvious.
When is it ever not obvious? That extra episode of Ultraman Nexus that focused on a character who had a small role in the overall plot? Even Agito made it clear that the scenes of stable every day life served the greater narrative, since Shouichi's motivation was described early on as making sure people can go home, and Mana's family was home for Shouichi. I'd say even minor comic relief characters who do nothing for the main plot are still pawns in the scheme of "making people laugh".

Problem is that focus comes with the detriment of everything else, and in of itself is relied on Big Ideas to wow the audience, but nothing to support it.
What "everything else"?

... But that again is just not a good thing.
Why? Yuuya is probably even less important to Kouta's motivations than that little girl was to Eiji's.

Okay, I already answered this very same arguement in a different thread, so I'm gonna make a short reiteration:
This isn't the only way to do this and Gaim builts its story elements on Yuuya's disappearance. But without any reason to care, there is thus no reason to care about the story elements either.
Yes, Yuuya's disappearance. Not Yuuya himself. The impact is based on how Kouta feels about other people. He was upset when Hase died even though he hardly knew the guy. Like I said, Kouta would have had the same reaction had it been anyone else he knew.

Except it isn't there. Have we actually seen this self-service in any kind of effect other than that one or two episodes? Does it make a lick of difference in the rest of the show? Self-sacrifice maybe, but its not in anyway more remarkeable from any other Rider.
And what does these ultimately tell about Kouta other than being extensions of being nice?
We haven't seen the "self-service" thing any longer because Kouta is trying to outgrow it. I remember when Bravo got hired by Takatora to make the Beat Riders look bad, and he let an Invess get away because his job was to attack the dance team Riders. Kouta saw that as selfish and irresponsible.

First, those latter point have zero to do with the premise of your blanket statement of an arguement. Second, how is Wizardragon's turn questionable yet the pathos with Yuuya isn't? I am very confused by the priorities you are setting here. Weird alien being in the background giving superpowers is put in question, but a character whom the show has explicitly built its character and story elements on shouldn't?
Okay, let's put up an example. Imagine if Narumi Sokichi in W. Now imagine if he were completely removed from the show, sans a few vague mentions on how Shotaro can't tell Akiko, and maybe that flashback at the beginning. No Movie Wars, no character comparisons, no speeches about " being hard-boiled" or whatever. He is just a vague figure we are just supposed to care about excusively by that he is Shotaro's mentor, nothing else.
Now of course, Narumi of the show has a lot more significance than what the narrative insists on about Yuuya, but it illustrates the same point.

Was it then be "a waste of time" with giving Narumi those small hints of character?

I think you just answered your own question. The specifics of Narumi's personality and actions had lasting effect on W's cast. Yuuya's only effect is making Kouta go "oh no I killed somebody". When Takatora showed him what happened to Yuuya, the only relevance was that he was somebody Kouta would not have killed knowingly, not that he was the former leader of Team Gaim, or anything else about him

Except this is exactly what's happening here. "He clearly was waiting" is only there as a decoration for what essentially is the same as what Faiz is doing. Randomly giving new equipment so that the hero can keep brute-forcing through the narrative to "break even" in the most vaguest sense.
So what, he should have just given Kouta the Lockseed at the beginning of the show, back when he probably didn't know what Kouta would have done with it?

The scenes in Gaim is exposition that blatantly states what Kouta should be doing and just hands Kouta a new superpower without any merit of his own other than that's his role now.
Okay, I'll give you that.

That being that: I love Gaim but, I really can't say that it's better than Agito.. I just can't.
Agito is (so far) the Rider series that I'm most satisfied with, but I don't see how its sensibilities would work on show with Gaim's themes and setup. Like, compare how the protagonists are treated. Shouichi starts out with no idea wbout his past or identity, but other characters encouraged him to stay where he is, and it's pointed out that he will always be Shouichi to them, even if he regains his memory. In contrast, Kouta gets "grow up and get a real job", and pretty much no encouragement to stay where he is.
 
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No, Gaim is way worse in exactly because there is a focus on the plot, particularly a plot that is driven by how the characters react in it, yet nothing is given about the characters or the world they inhabit. We don't know why the dance group is so popular with so many people, we don't know how Kouta's unemployment correlate with him being a Beat Rider aside from a few handwaves. What about Pierre's patisserie? Does Mai go to school? Does she even do anything other than dancing? What have we learned about Kouta out-of-work and during work?

Why would we care how the dance groups came about or are so popular? This isn't about them. This show is about Kouta, Kaito, Micchy, and Zangetsu (I seriously cannot remember his actual name). Hell, that fake thing called dancing is already annoying enough. The less we see, the better.

I will agree that characters like Mr Dangerous and Jounouchi are seriously lacking in character development. I will agree that Micchy needs a new dresser because his outfits are even worse than the ugly crap Shunpei wore. But one of the best things about Gaim is that every episode is important to the plot. This show is not 5 episodes of filler 2 episodes of plot, another 4 episodes of filler, 6 episodes of plot, 8 episodes of filler, etc. There is no set formula, which is how the earlier Heisei shows like Ryuki, Blade, and Agito were. And it is taking a more serious tone. Plus, we do know more about Kouta in 23 episodes than we knew about Haruto, Koyomi, Rinko, Shunpei, and Wajima combined in their entire series.
 
... I don't think you know what plot convenient means.

The speech of Haruto's parents to him just didn't fit the situation well. It was there to tie in with the "hope" theme, but the situation doesn't seem like one that would lead to that speech naturally, if it were happening in any show besides Wizard itself.

Except it isn't there. Have we actually seen this self-service in any kind of effect other than that one or two episodes? Does it make a lick of difference in the rest of the show? Self-sacrifice maybe, but its not in anyway more remarkeable from any other Rider.
And what does these ultimately tell about Kouta other than being extensions of being nice?

And notice how most of these come from the first five episodes, and have since then not been an any kind of factor since, what, the one episode after the christmas ones?

We've seen the self sacrifice constantly though. His attempts to save Hase, who was never close to him, or Kouta's whole struggle against Yggdrazil now comes from him being unable to accept the sacrifice of others. Of course, I guess you could say that it's just being a "nice guy". The other, self serving side, has been seen less than that, but it's still there, like Kouta at least for now following Micchy's words and not telling Mai about Yuuya, or revealing the truth about Hase.

Weird alien being in the background giving superpowers is put in question, but a character whom the show has explicitly built its character and story elements on shouldn't?

Wizard devoted an entire arc to establishing how Phantoms were purely evil and could never be good, but it dismisses all that with no explanation.

Okay, let's put up an example. Imagine if Narumi Sokichi in W. Now imagine if he were completely removed from the show, sans a few vague mentions on how Shotaro can't tell Akiko, and maybe that flashback at the beginning. No Movie Wars, no character comparisons, no speeches about " being hard-boiled" or whatever. He is just a vague figure we are just supposed to care about excusively by that he is Shotaro's mentor, nothing else.
Now of course, Narumi of the show has a lot more significance than what the narrative insists on about Yuuya, but it illustrates the same point.

Was it then be "a waste of time" with giving Narumi those small hints of character?

You're talking about a big "if" there though. The production of Movie Wars is right in the beginning of the show, so they knew that he wouldn't be just a background character, and would star in at least one movie, from the start. The first arc that added something to Narumi's character in the tv show (with comparisons to Akiko when she attempted to infiltrate the Sonozaki's mansion) also had the characters mentioning a "Begin's Night".

Either way, Narumi's character in the tv show was an important part of Shotaro's own character. Shotaro's basically entirely built around trying to live up to the one he idolizes, while also suffering from guilty regarding his death, and eventually accepting that he's his own man. Shotaro didn't even have a family outside of his relationship with Narumi. When Narumi's character received any focus in the tv show, it was directly tied to Shotaro's character, not creating drama for his death. In fact, there are basically no flashbacks to Narumi in the tv show.

Yuuya could have been treated like that, I guess, but it'd basically result in Kouta being an entirely different character. It also only would make sense if dancing were actually an important part of the series plot, which doesn't seem to be the case, and it's mostly there for the initial set up of Kouta's friendships and social group.

Except this is exactly what's happening here. "He clearly was waiting" is only there as a decoration for what essentially is the same as what Faiz is doing. Randomly giving new equipment so that the hero can keep brute-forcing through the narrative to "break even" in the most vaguest sense.
The only difference is that they are prettifying it with one random character to give exposition about the themes of the show and how Kouta should adhere to these themes.

We had seen Sagara disagreeing with other members of Yggdrazil, while also talking cryptically about "Helheim" choosing someone. Then, we saw him actually giving Kouta a prototype without Ryoma's knowledge, and finally we see now that he even has special powers of some kind. It's not like the last two points came out of nowhere, the show had been building them up.

From the split in ideals between Kaito and Kouta from the start, to Yggdrazil's introduction with their own justice, and now the various splits within Yggdrazil, and also Micchy from his friends, all due to different views of things, it's clear that the show had been building up the formation of these factions for a while. It's something that seems to be in the core of the series, not just "decoration".

And I didn't even get into how this revelation completely hinges on Kouta being dumb enough to never think that "Hase => Invess = Yuuya => Invess". And don't tell me "that's because Kouta wanted to think Yuuya was still out there" and all that.

I don't see how that changes anything? Even before the revelation that people could turn into Invess, they knew that Yuuya disappeared next to an entrance to Helheim and seemed to believe that he entered there anyway. The bigger impact by the time his death is confirmed comes from Gaim himself having killed him (destroying his confidence about fighting without sacrifices) and there's no way they could have known that, even after knowing about Hase.

Or that this show is now becoming more and more of a PMMM rehash, which in itself was rehash of Utena and Kamen Rider Ryuki.

I see some similarities to Madoka and some of Urobuchi's other works, but really, Gaim is reminding me more and more of the Shin Megami Tensei JRPG series. It ends up sharing some themes with Urobuchi's other works, but there are some pretty specific plot similarities with SMT.
 
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Enjoyed this immensely. My only gripes with it were that there were certain points where the differing tones of the show clashed and made for horrendously awkward moments
 
Dunno how this discussion ended up comparing Gaim to freaking Wizard of all shows...

But hey, at least nobody went insane and claimed Kiva was a superior series to Gaim! :laugh:
 

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