Bolt
boogie woogie feng shui
This was one of the best movies I've ever seen. Intelligent, complex, enthralling, a relatively unexplored concept that also manages to tell a compelling story. Everything was practically flawless, from the cast (great bunch of talent on display here) and the soundtrack to the astounding cinematography and the profound screenplay. I can only imagine how much work must have gone into creating and producing something so intricate and involved. The action was intense and perfectly paced throughout, and they did an excellent job creating a sense of danger even when the protagonists were engaged in a dream. I love how they explain the idea behind shared dreaming and how they orchestrated the dreams-within-dreams sequences in such a plausible and convincing way. It certainly makes you think and I adore the concept of thought-crime. Definitely a few noticable influences here; The Matrix, What Dreams May Come and Eternal Sunshine of the Spotless Mind not being the least of which, but the film was remarkably original and did an excellent job distinguishing itself from what may have otherwise been very similar films. This was one of those films that captivated me from the opening scene, and while I was watching it I felt like it was a kind of cinematic experience that had never been seen before. A truly genre-defying masterpiece. Loved it loved it loved it.
As far as the debate concerning the ending, I assume that the never-ending spinning of the totem was supposed to imply that Cobb never actually escaped limbo, and that by finally allowing himself to look at his children's faces he had forever confused dream and reality. But really, I didn't see that as what was important. The main thing for Cobb was that he no longer felt guilt about Mal's death and his absence from home, so in a way he had been freed, whether he was still dreaming or not.
As far as the debate concerning the ending, I assume that the never-ending spinning of the totem was supposed to imply that Cobb never actually escaped limbo, and that by finally allowing himself to look at his children's faces he had forever confused dream and reality. But really, I didn't see that as what was important. The main thing for Cobb was that he no longer felt guilt about Mal's death and his absence from home, so in a way he had been freed, whether he was still dreaming or not.
