Kamen Rider Ghost - Episode 21: Amazing! The Ganma World

[Thunder025]

Kinda makes you wonder if the father is truly a bad guy, doesn't it?

It's been a recurring theme since Fourze where the big bad guy is not really bad but used wrong means to get to what they want.

[HIDE]Gamou - Just wanted to meet the Presenters and bring evolution to humanity. But used children as lab-rats to obtain the Horoscopes Switches.
Fueki - Just wanted to save his daughter. But decided to sacrifice the whole of Tokyo to recover her soul.
Kaito - Had a strong sense of strength but was just. But ate a Helheim Fruit that drove him crazy (also, Kouta had to be the one to obtain the Forbidden Fruit).
Heart - Despite being the child of a crazy human he just wanted to protect his own kind and become closer to humans. He didn't do anything wrong, he is perfect. ♡[/HIDE]

 

[Undrave]

That's the thing though, he draws round stuff, yet they named him after an art style that's about drawing cube-like shapes :laugh:

Cubism isn't about cubes...

 

[Photon]

Cubism isn't about cubes...

The art style does resemble cubes, though. Not the final work/the entire picture or the object, but the shape used to make the object in the painting.

In fact, quoted from Wikipedia article about Cubism:

The history of the term "Cubism" usually stresses the fact that Matisse referred to "cubes" in connection with a painting by Braque in 1908, and that the term was published twice by the critic Louis Vauxcelles in a similar context. However, the word "cube" was used in 1906 by another critic, Louis Chassevent, with reference not to Picasso or Braque but rather to Metzinger and Delaunay:

"M. Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...]".

The critical use of the word "cube" goes back at least to May 1901 when Jean Béral, reviewing the work of Henri-Edmond Cross at the Indépendants in Art et Littérature, commented that he "uses a large and square pointillism, giving the impression of mosaic. One even wonders why the artist has not used cubes of solid matter diversely colored: they would make pretty revetments." (Robert Herbert, 1968, p. 221)

So the term does refer to the cube-like art style.