Thundercats is noteworthy mainly because of how much of the animation work was done in Japan. A lot of guys who went on to be extremely important to the anime industry in the 90s were basically cutting their teeth on Thundercats, the way Paul Dini and JMS cut their teeth on Filmation's original He-Man. Thundercats just looks better than almost everything else from that era.
The striking Thundercats OP sequence, for example, was done by the director who went on to create Tenchi Muyo. So all told I'm quite glad that WBA got a Japanese studio involved for this, it gives the impression that they paid enough attention to the original to understand how you could go about modernizing its basic appeal.
*smacks Keith*Preeetty sure we need never see the return of Street Frogs or TigerSharks..![]()
Thank you! Somebody knows what they're talking about.
I like how the WB article makes a big deal about the new series being anime (just because it's being animated in Japan), as though the original was not. Really pretentious, if you ask me.
Thundercats IS ANIME!!! It was animated in Japan, thus, it's anime! Lots of people never quite realize that Rankin-Bass frequently used Japanese animation studios for much of their hand-drawn work (I think there were a couple of exceptions; their Wizard of Oz cartoon series, and Tom of THUMB; those might be their only non-Japanese stuff). All of their stop-motion "Animagic" work was from Japan as well.
In fact, Rankin-Bass were the pioneers of American anime. (The stop-motion TV series, The New Adventures of Pinocchio from 1960, was the first anime series commissioned by an American studio, with the first hand-drawn series being The King Kong Show in 1966.)
And I agree, the Thundercats intro is one of the most incredible sequences ever seen in Japanese animation! Dynamic, fast & furious, with plenty of camera movement as well. That, along with the opening for (and some episodes of) Mighty Orbots.
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