Kamen Rider Wizard, Ep 3 - "Transform! Live Broadcast"

Gave it a watch, and I'm definitely siding with the "hasty cgi" department. There's lots of really, REALLY elementary issues with tracking and such. I cringed finally during the Dragorise battle. Aside from the dragon it's standard faire for Kamen Rider, but that Dragorise battle was not so hot.

That aside, the show's better than Fourze. It doesn't feel like it was written for 6 year olds. 7 or 8 year olds maybe, if that makes any damn sense.
 
Well if you consider why Fourze went in said direction it's understandable as stated by Tsukada in the production notes at the end. (Leaving all of Tsukada's note)

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Magenta@Aesir said:
(Translator’s Note: This is a translation of the final episode blog post on Toei’s official Fourze blog, which is kind of the auxiliary, adult-aimed site that dealt with production talk and behind-the-scenes information. This post offers a final farewell from the cast and staff that worked on the show, and I’ve preserved the format and imagery of it intact, merely translating the text. Please enjoy!)

“It’s set in space!â€
“We’re turning Kamen Rider into a high school drama!â€
“The protagonist’s some delinquent punk with a pompadour!â€
“And the main rider’s got a big white pointy rocket head!â€

Fourze was a work that, from the start, had to face many challenges.

The problem with challenges is always taking that first step – a nerve-wracking proposition if ever there was one. After all, it’d be so much easier to just do things the same way we always have been, right?

And yet, here we are, having finished work on Fourze. Why did we, the staff and cast, go to all the bother of facing that challenge, of taking that first step? It was because we wanted Kamen Rider Fourze to be a hero that’d put a smile back on everyone’s faces.

Let’s jump back to 11th March, 2011, the day the earthquake hit and caused chaos throughout the nation. We were in the planning stages for the next Rider show then, and the aftermath of the earthquake brought that to a screeching halt. As we eventually recomposed ourselves and returned to work, we were struck with a certain realization: Fourze would be the first new hero to hit the screens after the earthquake. Our response was obvious. â€We want to make sure we cheer those kids up, give them something to smile about. Let’s make sure Fourze is that kind of show.†And together with our screenwriter, Nakashima Kazuki, our lead director, Sakamoto Kouichi, the Zodiart designer, Asamiya Kia, and all the rest of the team, we worked as one to make that a reality.

Fourze’s concept was set: a hero who’d bring smiles back to people. And I truly believe that the sense of responsibility we felt in making that happen was what drove the cast and crew to such heights over the course of this year. No-one embodied this better than Fukushi Souta, who played Gentarou. Every time we held an event for the press on the runup to the show, he was always there saying “I want to be a hero who’ll make people smile again.â€

Which, I feel, led to the Fourze we know and love. Did you all enjoy it? I certainly hope so. Did it get your heart pumping, get you laughing, and not bogging itself down too much in overcomplicated plot threads? Most importantly, did the story of Gentarou and his allies at the Rider Club, and the cosmic energy that fills them, reach your hearts?

I hope a few shouts of “Blast off!†(TL: or “It’s space time!†or “Space is awesome!†or, hell, “Uchuu kita!â€) filled your Sunday mornings. And I hope that whenever you face the prospect of taking that challenging first step, as we did, your memories of the show will be part of what spurs you onwards. Nothing would make us happier.

To my cast and crew: As a producer, it’s been an honor to see the giant steps you’ve all taken to make this show a reality.

And to everyone who’s been watching and supporting the show, I guess all I can do is paraphase Kengo’s letter: You’re all Fourze’s best friends. And even now the show has ended, that will never change. I’m not sure if these simple words can ever be enough, but… thank you all so much.

And so, alas, the TV series has come to a close, but the summer movie “We Blast Off Together!†is still airing in theatres. If you haven’t seen it already, then get on it! If you have, go watch it again! Go on, scoot!

And, of course, Fourze will return in the new Movie Wars this December. We’ll have some fun developments there that’ll hopefully get a few shocked reactions out of you all. Something to look forward to, I think.

Well, I guess all that remains is to say: We’ll see you again in the theatres!
Now, switch on your youth!

-Tsukada Hideaki, Producer
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How? She doesn't behave like she's escaped from a mental asylum.

I say it because she just seems like a completely empty character. You could remove her from the story and no one would notice ... and I don't think that's going to change. I get the feeling that Rinko is only in the show to pander to older fans. Toei is basically saying "You liked the police in Kuuga and Agito ... so you'll like her ... right? ... RIGHT?!"


Really? I find her more convincing that Gotou, the supposed experienced ex-cop. At least Rinko is established as a rookie or close to it.

Gotou? Do you mean the kid on OOOs that became Birth? If so, I had completely forgotten anything about him ever being a police officer. :laugh: So I guess he wasn't very convincing either.


I think Rinko has faaaaaaaaarrrrr more potential, but just seems to be caught up right now in being introduced to the world of magic. But she's got enough about her to make for some interesting episodes and character development.

You could be right. I guess it's hard to say so early in the show. Like I said above, she just feels like a pointless character. Actually, now that I think more about it I get the same vibe from Rinko that I get from Escape in Go-Busters. There's really no role for her to play ... she's just kind of there.


Shunpei... I feel he's too close to Haruto to give him a chance at turning in to the 2nd Rider of the show. Unfortunately I think he may just be the annoying comedy relief of the show. He dances the razor edge of making me smile and annoying the hell out of me.

I don't think Shunpei has to be the second Rider (though that would be cool) in order to be a satisfying character. He seems to be a better fit for the show as a whole right now. Shunpei's idealism (and love of "magic") is a strong counterpoint to Haruto's more cynical realism. I can see them playing off of each other pretty well.

Provided he doesn't just become annoying comic relief. :disappoin
 
Okay this just interested me into knowing how old he is.
He's 25 haha http://asianwiki.com/Asaya_Kimijima

Guess it's the face XD

He was 22 when OOO began, which is probably why a lot of people don't seem to feel he was convincing as a senior police officer.

Totally random observation: Shunpei has a little frog on the back of his shirt, which looks just like the frog on the back of GokaiGreen's underpants. Soul brothers :anime:
 
Shunpei still reminds me more of Motoki from Pretty Guardian Sailor Moon, with all of his turtle stuff.
 
Well think about, alot of Japanese people are concerned about the protests in China right now. Can't watch your shows if your parents are hogging the TV to watch world events unfolding. Poor kids...

Honestly: they could've also just had nice weather, or some sort of holiday, so a lot of families went out. Kids ratings for Rider and Sentai fluctuate up and down throughout the year pretty dramatically, and stuff like this seems to cause it. I'm sure parents wanting to watch news about the China situation didn't help, though.

Maybe it's just me, but the writing in Wizard (so far) feels more nuanced than what we've been getting from Kamen Rider recently.

I'm not sure I'd say it's more nuanced. Fourze and OOO could be very nuanced shows, though they often weren't. W is the most nuanced writing in Rider you'll find this side of Agito or Kuuga.

I will say that Wizard is clearly not using the show template that W/OOO/Fourze did, and that's refreshing. The tropes it's playing with are, in some cases, not ones I've seen Rider use freely since before Hibiki.

This is part of why I'm wondering if Wizard will become a multiple Rider show. Utsunomiya was an assistant producer on Faiz and Blade, and seems to be taking a lot of inspiration from that era of Rider.

I want Rinko to be Kaoru Ichijo or Makoto Hikawa, and she may just become that.

I don't think so. Ichijo and Hikawa were plausibly written characters from their very first appearances. Rinko was completely ridiculous, and it's clear that Wizard's approach to cops is going to be cartoony. I figure the best Rinko can aspire toward is maybe being on par with Yashiro from Decade, or one of the two ineffective Fangire hunter ladies from Kiva.

I get the feeling that Rinko is only in the show to pander to older fans. Toei is basically saying "You liked the police in Kuuga and Agito ... so you'll like her ... right? ... RIGHT?!"

I do think there's an element of trying to use Rinko to trade on Kuuga and Agito's police plotlines, yeah. Decade and W drew older fans back to Rider after a long absence, but OOO and Fourze didn't seem to be to their liking.

I don't think it'll work, though. It's easy to toss in a cop character, and quite hard to write a cop character who feels in any way authentic or plausible. Even Agito's soap opera cops are far more believable than Rinko is, thus far.

Shunpei still reminds me more of Motoki from Pretty Guardian Sailor Moon, with all of his turtle stuff.

Shunpei reminds me of Kameo from Dairanger. I'm not sure if he's more likable at this point, which is not really a good thing.
 
Alright I have finally watched the 3rd episode and I have these as my thoughts:

Early in the show (since episode 1), we saw so many action already that have been like those directed by that legendary Power Rangers action director Mr. Sakamoto and this episode alone was kicking in spades. I love how they amped up the ante of Kamen Rider into a new heights albeit the obvious CGI and stuffs. I have been bearing in mind that when somebody who is just too good to be true here in this episode has been that Hellhound Phantom (which reminded me a lot of the Gedoushus of Shinkenger) from the very beginning. It is like a deal with the devil and thus the very thing that made me shout was this "I KNEW IT! That guy from the TV station was the Phantom". We have here a lot of kicking and I like the Water Style and its overall design which brought back the Dragon Form Kuuga. Now, the most epic part was that Haruto utilized a Dragon Rider Kick like a Ryuki and Fourze combined Rider Kick. I swear that that scene alone made me shout out loud:

PHANTOM, YOU GOT OWNED!!!
 

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