August
"Shocker Gundan, Banzai!"
The point is, that the story was 100% true at the time. The development of television series and movies morph as they go along, and things change. Some of them are greenlighted, others fade into antiquity, while others are developed and re-developed, until they are picked up and produced. Such is the case with KAMEN RIDER DRAGON KNIGHT.
Similarly, PREDATOR went through a number of script changes, and different monsters were discussed between screenplay and production. Originally, the monster was too difficult to realize with '80s technology, and Stan Winston told them, that the technology to bring it to life was at least a decade away. The next draft featured an invisible, flying jellyfish monster! Stan Winston, who was hired to do the effects and create the creature, didn't think highly of this concept, and staged a design contest among his staffers. Steve Wang's design was the winning entry, and the Predator went onto become one of the icons of American horror/sci-fi films.
Steve and his brother, are the men who finally got the US adaptation of RYUKI to work for Adness and Toei. Perhaps it will spark a resurgence of interest in KAMEN RIDER in the US, with a bunch of trendy noobs (ala PR). Perhaps some good will come of it? Perhaps, it will flop? Who knows... Personally, I'm not big on US adaptations, because I like the Japanese shows, simply because they are Japanese. Remove that element, and they become uninteresting to me.
Similarly, PREDATOR went through a number of script changes, and different monsters were discussed between screenplay and production. Originally, the monster was too difficult to realize with '80s technology, and Stan Winston told them, that the technology to bring it to life was at least a decade away. The next draft featured an invisible, flying jellyfish monster! Stan Winston, who was hired to do the effects and create the creature, didn't think highly of this concept, and staged a design contest among his staffers. Steve Wang's design was the winning entry, and the Predator went onto become one of the icons of American horror/sci-fi films.
Steve and his brother, are the men who finally got the US adaptation of RYUKI to work for Adness and Toei. Perhaps it will spark a resurgence of interest in KAMEN RIDER in the US, with a bunch of trendy noobs (ala PR). Perhaps some good will come of it? Perhaps, it will flop? Who knows... Personally, I'm not big on US adaptations, because I like the Japanese shows, simply because they are Japanese. Remove that element, and they become uninteresting to me.
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