Shogun_Master
Why is every good TV show Cancelled
Haven't been here in a while, but I'm trying to work though this thing & here's my thoughts so far-
--There's a thing in writing called "Show, Don't Tell." If someone pulls out a weapon & says Dairinken or a monster walks up and calls itself Daimaru or whatever, you get it fine. You don't need it translated. In a way, it's kind of talking down to the audience, unless there's some sort of instance where it's necessary, like for a joke, mention of title, or- as in Dairenjaa- the monster names add a weird kind of richness to the world when translated.
--Who do you people think are buying these shows? At least in Northeast Ohio, the only place you can get these sets are online. It's not like someone who's never seen it before is just going to come across a $40-60 set like this on Amazon & buy it on impulse. If we don't know what we're watching by now, who the hell does? It kind of makes certain concerns seem odd or petty, but I do sort of see where some of you guys are coming from on certain points.
--The world is kind of changing. I don't really think people HAVE to fully understand another culture in order to get a show based in that culture, especially when you can clearly see what's happening. It used to be a major concern back in the 90s, but America is starting to get so saturated with media from other parts of the world as children & adults that it's really not that big of a turn-off to most people. Although, everyone does have their limits. The part I find ironic is that Native American mythology is almost identical in form to Japanese, so it's even more of a private joke for me, but hey...
--I will say, you do lose bits of culture if you translate the wrong thing. That's kind of what I enjoy from certain Fan-subs of Kamen Rider. If you, say, take a Japanese insult, turn of phrase or Slang word and translate it directly into English it makes no sense. That's why most subbers will usually just replace it with an appropriate English counterpart; but if you do that you lose a bit of authenticity that helps you feel a little closer to the culture that created the show/ film. And I don't just enjoy that in Japanese shows. I like seeing a bit of an authentic look at Europeans, Hispanics, South Asians, etc, etc. It's not necessarily about wanting to emulate it- especially considering learning about Japanese culture though their Childrens' & Family shows is generally about as useful as learning about American Culture by watching Bob the Builder- but just feeling like I got something a little extra out of the experience.
--Kind of off point, but most silly, children's shows in the US ONLY sell well because of Nostalgia & attitudes change. Adam West's Batman did well because it wasn't any worse done than those old Spaghetti Westerns that were just beginning to go out of style in the mid-60s & Batman was a completely different kind of show done in the same style. Kind of how a show like The Walking Dead becomes an instant cult classic but other shows that are just as gritty & dramatic made by the same people, like Hell on Wheels, is practically never talked about. Ever. And it's one of the best written shows I've ever seen, not to mention The Revenant getting so much Oscar Buzz recently...
I guess I'll say if & when I get more...
--There's a thing in writing called "Show, Don't Tell." If someone pulls out a weapon & says Dairinken or a monster walks up and calls itself Daimaru or whatever, you get it fine. You don't need it translated. In a way, it's kind of talking down to the audience, unless there's some sort of instance where it's necessary, like for a joke, mention of title, or- as in Dairenjaa- the monster names add a weird kind of richness to the world when translated.
--Who do you people think are buying these shows? At least in Northeast Ohio, the only place you can get these sets are online. It's not like someone who's never seen it before is just going to come across a $40-60 set like this on Amazon & buy it on impulse. If we don't know what we're watching by now, who the hell does? It kind of makes certain concerns seem odd or petty, but I do sort of see where some of you guys are coming from on certain points.
--The world is kind of changing. I don't really think people HAVE to fully understand another culture in order to get a show based in that culture, especially when you can clearly see what's happening. It used to be a major concern back in the 90s, but America is starting to get so saturated with media from other parts of the world as children & adults that it's really not that big of a turn-off to most people. Although, everyone does have their limits. The part I find ironic is that Native American mythology is almost identical in form to Japanese, so it's even more of a private joke for me, but hey...
--I will say, you do lose bits of culture if you translate the wrong thing. That's kind of what I enjoy from certain Fan-subs of Kamen Rider. If you, say, take a Japanese insult, turn of phrase or Slang word and translate it directly into English it makes no sense. That's why most subbers will usually just replace it with an appropriate English counterpart; but if you do that you lose a bit of authenticity that helps you feel a little closer to the culture that created the show/ film. And I don't just enjoy that in Japanese shows. I like seeing a bit of an authentic look at Europeans, Hispanics, South Asians, etc, etc. It's not necessarily about wanting to emulate it- especially considering learning about Japanese culture though their Childrens' & Family shows is generally about as useful as learning about American Culture by watching Bob the Builder- but just feeling like I got something a little extra out of the experience.
--Kind of off point, but most silly, children's shows in the US ONLY sell well because of Nostalgia & attitudes change. Adam West's Batman did well because it wasn't any worse done than those old Spaghetti Westerns that were just beginning to go out of style in the mid-60s & Batman was a completely different kind of show done in the same style. Kind of how a show like The Walking Dead becomes an instant cult classic but other shows that are just as gritty & dramatic made by the same people, like Hell on Wheels, is practically never talked about. Ever. And it's one of the best written shows I've ever seen, not to mention The Revenant getting so much Oscar Buzz recently...
I guess I'll say if & when I get more...
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