When The Owl House closes its talking-owl-embedded door for good next month, it won’t just mark the end of a series both mega-popular AND unappreciated, it’ll mark the end of an era. Ten years ago Gravity Falls hit and revolutionized what a Disney Channel cartoon could be, wrapping intricate, captivating lore and mystery with intelligent writing and dialogue. It inspired a killer lineup of animation innovation that Disney hadn’t been into since the Disney Afternoon days. The Owl House is the last of these, and it’s being thrown away in favor of a new lineup of loud, bug-eyed thingamajigs aimed at a younger audience.