Keith "JC" Hayward said:
Interesting point, but do any of those classics have the epic storylines that Gargoyles was able to bring? 80's cartoons seemed to suffer mostly from lack of continuity and horribly moronic bad guy.
Generic adversaries such as Skeletor may not have always been up to par, but they had what other generic villains before them did'nt have...backstories and character development.
As for epic storytelling?
Transformers had a little problem with its' continuity in the earliest seasons, but yeah, it gradually began getting tighter again, the first season suffered no problems continutiy wise, ne development led into another, heck, after "Ulitmate Doom", Cybertron stayed in Earths' orbit for a while, but by the second, new writers completly new to the concepts came in and accidently treaded on some areas, resulting in the jumbled confusion the series often gets criticised for in light of what it got right sometimes.
Megatron was'nt incompetent, especially if you watch the earliest episodes he was far from it, managing to convicne Prime to let Cybertron arrive in Earths' orbit or risk its' destruction, and forcing him to choose between Earth and Cybertron were classic examples of good manipulation.
The third season in particular spent three whole episodes revolving around political issues revolving around trade disputes, Optimus Prime coming back early as a reanimated corpse (in one of the seasons' best animated episodes)
Galaxy Rangers also had TONS of contiunuity and capable villains, so did Centurions, using classic science fiction concepts and new ones at the time.
Those two elements usually end up bringing the most impressive array of stories to be told.
Indeed, 90s' brass were a little more riskier thanks to the examples set by Visioanaries, Ghostbusters etc, and especially Disneys' work, Disney itself being behind Gargoyles helped tremendously also