The Little Mermaid: A Public Domain Tale Takes a Dark Turn
Did you know The Little Mermaid is a public domain story? Hans Christian Andersen’s fairy tale is free for anyone to adapt, as long as their version doesn’t infringe on copyrighted elements, like Disney’s Ariel. That’s why we’ve seen other interpretations, such as the 1980s anime where the mermaid is named Marina. This December 17, Lionsgate will release their own adaptation of The Little Mermaid, and trust me, this one won’t leave you feeling kissed by the sea breeze.
In this chilling reimagining, the titular mermaid, named Aurora, isn’t just a mermaid, she’s a siren. Sirens, often seen as the vampires of the sea, lure sailors with their beauty and angelic voices before devouring them. With a plot this dark, part of your world becomes part of her menu.
For Those Seeking a “Classic” Look
If you’re among those who got poor unfortunate souls over the race swap in Disney’s live-action Little Mermaid, here’s your chance to see a red-haired mermaid. Aurora is portrayed by Lydia Helen, who bears a striking resemblance to what some fans envision as the “classic Ariel.” That said, let’s not forget the hate Halle Bailey received for her portrayal of Ariel in Disney’s adaptation was uncalled for, Bailey nailed it with her voice and delivered a performance that deserves respect.
The Little Mermaid Trailer
But let’s be honest: the original Little Mermaid was already a horror story. In Andersen’s tale, the mermaid sacrifices everything, only to die and turn into sea foam. You might say that life under the sea was always filled with tragedy, making a horror adaptation feel inevitable.
A Modern Take on a Timeless Tale
This version of The Little Mermaid is set in the present day. Eric, traditionally a prince, is reimagined as an archaeologist researching a dangerous and all-powerful sea god. Unbeknownst to him, he’s already dating her. Aurora, with her angelic face, red hair, and sparkling eyes, looks like she’s got gadgets and gizmos aplenty. But don’t let her innocent charm fool you, she’s got a hunger for your soul that won’t stop at dinglehoppers.
This December, Lionsgate’s adaptation will show us that not all mermaids want to be where the people are, some just want to make them part of the sea floor.
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