Power Rangers RPM

Cool that Judd is back, although I didn't see much of his seasons. I'm definitely excited to see RPM. However, I'll be dissappointed if they mess up with continuity or is self-contained so you can't even dream of them fighting with past rangers. However, I'll give it a chance and see.
 
Cool that Judd is back, although I didn't see much of his seasons. I'm definitely excited to see RPM. However, I'll be dissappointed if they mess up with continuity or is self-contained so you can't even dream of them fighting with past rangers. However, I'll give it a chance and see.

Oh which ever, I am a bit glad that DISNEY finally made some action. According to Dekabreak:


Power Rangers. Has finally been corrected. Let us hope that this will work for us all.

Editions: This enemy woman seems to be a lot prettier than Kegaleshia.
 
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well in all fairness we have what appears to be two different attitudes regarding PR's direction.

"Timely and Relevant" vs. "fun and exciting".

From the sounds of it, Eddie wanted to do a more serious show that raises some eyebrows, isn't afraid of addressing some issues PR has NEVER tackled before and make the overall tone of the series darker and slightly more mature.

The downside to that approach is you're immediately limiting your audience size and possibly driving people away from watching your show. Something you're not supposed to do when you're a basic cable program as compared to whatever's on HBO.

Lynn on the other hand, is as Skynight said, considered either PR's greatest writer by many or close to it. The question is now can he get this new cast to do something different from what Eddie told them.

I don't see why the cast has to put up with that. Lynn needs to leave the storyline alone because destroying it isn't gonna help anything. Lynn will have Shinkenger's adaption to deal with so he should just focus on that instead of destroying a storyline already developed.
 
I don't see why the cast has to put up with that. Lynn needs to leave the storyline alone because destroying it isn't gonna help anything. Lynn will have Shinkenger's adaption to deal with so he should just focus on that instead of destroying a storyline already developed.

No but he can lighten it up somewhat a la Turbo.

If Disney is true to their word and gives him more freedom then Saban did, I think the US version of Shinkenger will kick MAJOR ass.
 
...No scab writer was credited during JF you idiot. If they were credited afterwards, they'd be walking targets.
Where the heck did this "info" come from? It's embarrassingly retarded crap, and you're the fool for believing it.

The writer's strike meant WGA writers were not allowed to write for any productions. One of the main reasons why the strike affected television the way it did, was because the SAG then told and forced all its members to refuse working on non-WGA scripts.

This meant that even if a studio hired non-WGA writers, and got them to write scripts, none of the actors would work on them. Scrubs is a good example, where Bill Lawrence hired two scab writers, but none of the cast were prepared to work on their scripts, and so they binned them.

Power Rangers is a non-SAG series. This means the SAG rules didn't apply to PR, and so Disney and Bruce could easily enough hire a bunch of non-WGA writers without any union drama.

That's it. So if Judd Lynn wrote an episode of Jungle Fury, he would have been credited for it. There's not a single reason why he wouldn't have been, because he's not WGA, and therefore not a "walking target".

(Whichever moron originally used the term "scab writer" to describe PR's temporary writers was wrong. To be a "scab", you need to break union rules, and PR didn't.)

Also important to note, it was a "writer's strike" not a "producer's strike", so Bruce was still producing the series. Nobody came and replaced him as the showrunner.

EDIT: And before you start with the whole "how do you know this", I know because the Disney series I was working on was in exactly the same situation. It was a WGA-written, non-SAG series, and we had "scab" writers come in (all non-WGA) and they were all credited for their work.
 
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This is the article about why Judd Lynn left PR in the first place. I was talking about it before

http://deriksmith.livejournal.com/2005/10/29/
It's an interesting read, but seriously, this guy was given quite a lot of creative freedom. And trust. Especially when they were happy to just shoot whatever he wrote, and then scrap it during the post if it didn't work out.

If anything, I have more respect for Jonathan Tzachor. As for the bit about Time Force, I thought the Sentai series made it quite clear that it wasn't about time travelling, but it was about one specific mission to protect Year 2000 (and 2001 in the US version).
 

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