I like how Double does things. They do not ignore any specific gadget even after it's debut.
Why would that be a plot hole? It works within the universe and it's explained.
What theories are these...? I don't really think Shouji Yonemura thought too deeply into all of these things when writing those episodes and trying figure out what the hell to do with the weapon. It's just as cheap to excuse the failings in Kabuto for those reasons as it is for some people to excuse the failings in Shinkenger because apparently one "needs" an understanding of Japanese culture to understand the story. A narrative should be able to carry itself on its own weight without any outside forces.
...then don't write about it? This isn't reality, this is a narrative where one (or two but Inoue's episodes don't matter) has total control over what's going on. He should know where simple things like powers and weapons come from. To say he doesn't because we don't know yet is asinine. Heck, Micheal Scott is an authority of human mythology and though a lot of it has no real standing, he rights within the confines of what he knows and creates laws and rules for how he thinks things should work within the worlds he writes. Yonemura doesn't even do that!
How am I acting in this way...? At the time, people used the information they had and were open to new ideas, and at least had some idea of what they were working with. Kabuto as a series makes no attempt to even tell you what the hell space-time is within the confines of its narrative, it doesn't even begin to tell you its basic rules. Kabuto's actually worse than technobabble because they at least attempt to feign some competency there, Kabuto makes no attempt to even work within its series and just does whatever the hell it wants to because Yonemura was a half-assed writer at the time and still ain't much better.
I like a good mystery, I like a good open ending, and I like those times where things are left up to your imagination (Kageyama and Yaguruma's "death", for example), but that's just lazy to excuse faults in narratives for imagination's sake.
Ah, yeah. Sorry, I'm done with this conversation then. :/ This is about as lame a cop out as you can get and I won't waste my time trying to convince another person it's not okay to write a poor series because of the target audiences, you're belittling their intelligence and that of generations of shows that have actually properly explained their universe's workings. You're kinda just missing the point here. :/ It doesn't matter if what we know in reality is slim to nothing, a good writer can pull stuff out of their ass and make it work. The point here is that Yonemura didn't even try to do that. It fails as a proper narrative because he didn't bother to explain anything within the confines of his own reality. He is the script writer, he is the god to that universe and can do what he wants, yes, that means he can do what he did in the series and be lazy, but a good writer would take time to set up laws and workings for their own series.The point here is that Yonemura just brought things out of nowhere and didn't bother to tell us how or why and saying that it can work there because we don't know how it works in reality is a rather lame excuse and about as poor as you can get when it comes to writing a proper story.One thing you forget is the intended target audience for these shows. Kabuto is meant to be watched by children and moms who doesn't need those explanations you seek.
It is an unrevealed mystery for a reason, because it is open to our interpretation.
If I were a fictional character it would depend on the rules of the fictional world the writer crafted for me. At some point the writer would either have to explain those rules, or provide enough action to clearly infer them.A lot, like if you meet with your past self, will that disrupt space-time? If you bring an object from the future in the past, will that disrupt space-time? If you changed history, will that change the future? Or just make a parallel universe where the new events based on what you changed are taking place? If you kill somebody in the past, will that person disappear in the future? There are so many theories with Space-Time Continuum out there that the writer probably decided to just stay in the safe side wherein he didn't go to one path only.
No, they just didn't care enough to try.Again, it comes from the future or some dimensional rift which is impossible to explain. That's enough to know, no need to sniff it even more.
Dude, even Jet Li's The One had rules for space time. Clear. Concise. Rules.This is generally the same state as those people, we don't really know what the future holds for us, and since Kabuto's theme dwells on that, it is acceptable to not have any explanation on those.
Again, it is a mystery when you look at it as something being based on time paradoxes. Did it come from the future? Did it come from a parallel universe? Did it come from a different dimension? Just look at God Speed Love, Tendou changed the past which led to a different alternate universe, which might also explain the Hyper Kabuto showing up in the series even though Tendou hasn't acquired the Hyper Zecter yet. It is acceptable to leave those to our imagination and interpretation, because trying to dig deeper in a series with that topic is really pointless because at this point in time, we could never really know.
It wasn't used for more than 30 episodes. There's no reason it should have suddenly become a more frequent occurrence just because its existence was revealed. Its non use is perfectly consistent.
I get your points now, how it was a fail on Yonemura's part, but being used to those kinds of topics, I don't really see the problem at all. Yes he might have been lazy, but it fit the theme of Kabuto for some people.
They made that rather clear actually. The death of a counterpart is what tipped evil Jet Li off in the first place. The energy is shared between all versions of a person. As there are less of them, the remaining versions become stronger.The One had a lot of issues too, as to all of the energy or your parallel versions going to the live ones? So does that mean that when my parallel version dies of an accident in some other parallel universe, I get stronger?
No. I'm not sure how you got there from the previous idea. The entire point of the movie is evil Jet Li was killing alternates one at a time.So does that mean that when somebody dies in any of those parallel universe, all of his parallel versions dies at the same time since it would make the surviving one, "the one"?
With the above, this statement becomes moot. The One is a cheap, cheesy movie that still has a logical consistency in its world (not necessarily in its characters).See, all of these flicks have issues of their own, yet you ignore it because it will be pointless. Same as in Kabuto.
And I'm totally cool with that. Man, Decade had some plot holes, but I enjoyed it immensely. I'm just saying it wasn't good writing. Kabuto remains my favorite suit performance from Seiji as well.
They made that rather clear actually. The death of a counterpart is what tipped evil Jet Li off in the first place. The energy is shared between all versions of a person. As there are less of them, the remaining versions become stronger.
That was not only explicit (they say it), but also implicit (Good Jet Li noticed he was getting stronger)
No. I'm not sure how you got there from the previous idea. The entire point of the movie is evil Jet Li was killing alternates one at a time.
With the above, this statement becomes moot. The One is a cheap, cheesy movie that still has a logical consistency in its world (not necessarily in its characters).
Btw, aren't most people talking about the Hyper Zecter...not the Perfect Zector?
Yes, then why is Jet Li the only one getting stronger? How about the other people? Don't they feel they get stronger when a version of them in another universe dies? Is Jet Li the only one who has 2 versions left? I mean some guy in that world could be the only one left since his versions were all dead in some other universe, yet Jet Li seems to be the only 'lucky' one to have those effects.
If you were in that kind of world, then everybody is bound to be stronger at some point in time because people die of different causes. If you are really old, and your other versions die of old age, you are still bound to be stronger even if the additional power is just miniscule, because your strength will double every time a version of you dies, so an old man who is minutes from death can achieve superhuman strength when he's the only one left of his versions.
See above. Everything remains explained explicitly and reinforced by foreshadowing through the movie.See what I mean now? It's also a plot-hole if you apply real world logic in it.
No, they explicitly say it's a problem because he retains the means to jump from world to world.Because as what I have said, somebody is bound to also be "the one" at any point in time in that world, because versions of yourself can die in any other universe for a lot of different reasons, yet Jet Li was the only one reaping the benefits of his alternates' deaths. Is their world "new" for only Jet Li to have experienced it? For millions of years, nobody experienced the same thing? Jet Li was the first to have his strength increased from a dead alternate universe version?
Don't get me wrong, I loved the movie, I even have an original VCD copy of it when DVDs were not yet popular. But those kinds of movies with those themes aren't meant to be questioned really, since it is what it is, and same can be applied for Kabuto. For me, they made it that way since we were already exposed to different ideas of Space-Time Continuum, hence Yonemura (who probably got lazy) just depended on that. Might have been a problem to a lot of people, but a lot of other people thought it was just OK.
Perfect Zecter actually, since they said it came out of nowhere and stole everybody else's powers. For me, it's just the same as Hyper Zecter, it came from a point in time somewhere in the future. And it only used powers which wasn't really needed. It took a zecter with no user, with a worm for its user, and a wuss for its user.
I'll be out in a while to have a haircut, I know somebody is bound to answer my questions with The One, which is precisely my point. These kinds of topics offers a lot of ways to interpret them, a lot of new questions, a lot of new answers. It is always the same thing when dealing with Space-Time. So if you can come up with answers with my questions for The One, then somebody can do the same thing with your questions in Kabuto. It is a never-ending cycle really, until we reach a point in time that those questions already have a concrete answers... Somewhere in the future perhaps? We could never really know...
Evil Jet Li was part of the Multiverse police prior to all of this. He was one of the few with knowledge and the means to jump from world to world.
By time the movie starts, he's killed 122 versions of himself.
And he has superhuman strength and dies moment later. All of these things could happen and it'd fit with the logic of the show. It was never explored as the story was about Jet Li.
And the strength does not double. It's like you've split the same amount of water between multiple glasses. As you take a glass away, you pour its water into the remaining glasses. Each glass retains more water as you remove glasses. Until you're left with a single full glass.
Again, you're trying to prove your point, but you're missing the mark on this one.
See above. Everything remains explained explicitly and reinforced by foreshadowing through the movie.
No, they explicitly say it's a problem because he retains the means to jump from world to world.
I generally doubt they'd care if there was a superhuman old man running around, as long as he didn't kill himself in other realities.
Again, those points were all made in the movie. The consistency remains.
God, you have me analyzing The One. The movie only had two good scenes.
It would've taken the Gattack Zecter as well. Tendou purposefully leaves Kagami with his Zecter in order to stop him if he goes astray.