Shougo B'Stard
Would like to change his avatar
Wow, I can't wait to see what kind of lame star-crossed shocker kaijin love story they shoe-horn into this POS.
:laugh: I have to say, I liked the idea of the kaijin story (it's pure Inoue), but I think the problem was who they cast and how strangely they placed it in the movie. They had more important things to do, like make Hayato's story make sense, or try to make the "love" story convincing. THE FIRST has the stupidest structure and it just seemed like they mostly made it up on the spot. And I don't expect THE NEXT to be much different.
Also, I really can't see Miyauchi approving of the casting of Kato as Fujioka and Sasaki just took the casting of those other guys.
Bueno said:Sometimes the productions don't really turn out to be what they are. I bet that the cast and crew that worked on The First had intended to make something completely different from the final cut. But time and money probably took that away from them.
That's pretty much every and any TV show or movie, though -- and that's no real excuse for something to turn out poorly, because there have been troubled or rushed productions that have the talent to still make most of it work. But I think THE FIRST is exactly what they wanted it to be -- a lame, stiff, mopey tale that strips the source material of its life and interest, glamming it up to cover its hollowness and make it fit in with the current Rider shows of the same nothingness. They weren't interested in appealing to fans of the old series or manga, it was strictly catered to those who like the new soap-operas. I'm still surprised Igadevil (hey, where is he?) liked it, it seems like a giant slap-in-the-face to long-time fans.
As for the "lame wire-fu", us stuntmen work our asses off setting-up, planning and executing this stuff. It ain't exactly a cakewalk man. I've worked with some really talented people over here and they do nothing less than the best that they got.
Of course it's understood that it's a bitch for the stuntmen to perform them, but you think someone would watch the finished film, see how bad it looks, not waste their energy or talent on it, and fire the choreographer. I think it's much more interesting to actually see stunt performers rely on their own, natural born talents than be assisted by wires that turn their work into such a bizarre and awkward looking sight that it ruins what they're doing. I just don't think tokusatsu is capable of doing the "wire-fu" well, and THE FIRST certainly wasn't. But THE FIRST had a bigger problem than bad wirework -- there was that bad script that needed dealt with. God, that movie was bad...