Miss Fortune ~ Whoa! That Guy is a Bigger Thief Than Me!

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“Miss Fortune” is a 2023 Korean movie, categorized as Crime, Comedy, and Family; streaming on Tubi TV. SUMMARY: “I don’t want my daughter’s fate to be like mine.”, said the mom. “I don’t want to be like you either. Let’s do this one last job and quit!” said the daughter. Is there ever a “last job” for a career criminal? ♦ Let’s Start a New Life In “Miss Fortune”, Lee Ji-Hye and Lee Joo-Young are a mother-daughter criminal duo. Only Lee Ji-Hye does not want a criminal life for her daughter, and her daughter also does not want to lead a criminal life. But they are both good at the bad thing that they do, i.e., commit crime, and they’ve never been caught. So they decide to pull off one last job. Did everything go as smoothly as they planned? Of course not!
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Miss Fortune ~ Whoa! That Guy is a Bigger Thief Than Me!

"Miss Fortune" is a 2023 Korean movie, about a mother-daughter criminal duo; categorized as Crime, Comedy, and Family, streaming on Tubi TV.

popgeeks.com

 

[BROOKE]

This movie reminded me a bit of Café Minamdang and The Fiery Priest in tone. It mixes crime and comedy with just enough plot twists to keep me interested, even if some moments were silly. I love Bang Min-Ah, so seeing her in a more daring role was refreshing. The story wasn’t groundbreaking, but it had charm. I think people expecting something deep or suspenseful might be disappointed. But if you watch a lot of Korean TV, you know not every story needs to reinvent the wheel. Sometimes it's just about quirky characters and clever setups.

 

[RockinRosie]

The direction in Miss Fortune leaned into melodrama a bit more than I expected. Uhm Jung-Hwa did well balancing comedy with a more grounded maternal performance. The editing felt uneven at times—some transitions were abrupt, which made the pacing choppy. But the cinematography during the vault scenes had a sleek quality I appreciated. I kept wondering if they were intentionally playing with genre tropes, or if it was just inconsistent. Either way, it made me think. Not a masterpiece, but worth analyzing.

 

[Sedona]

Honestly, I just wanted something easy to watch. This worked for that. I didn’t have to think too hard, and it still gave me enough fun to finish it. I liked the chemistry between the leads, and it was nice to see an older female character being smart and cool. It won’t be on my rewatch list, but I didn’t regret streaming it. I’d give it a solid 6 out of 10.

 

[Jae]

One part I found interesting was the theme of cultural theft. The mother was stealing from someone who was literally selling the country’s heritage. That added a layer of irony I appreciated. It made me wonder about how society views crime when it’s done by the rich versus the poor. Park Ki-Hyeong pretending to have Alzheimer’s so he could move artifacts under the radar? That’s both bold and grotesque. I wish the movie dug deeper into that idea. Still, it made me think about moral hypocrisy, which I didn’t expect from a so-called comedy.

 

[Poncho]

I usually avoid crime comedies because they try to be too many things at once. Miss Fortune is no exception. Some scenes felt like a family drama, others like a slapstick heist film, and sometimes I couldn't tell what emotion I was supposed to feel. I didn’t hate it, but I was bored halfway through. The only reason I stuck around was Uhm Jung-Hwa. She can act even when the script is weak. But overall, not my thing.

 

[Ryan Duckling]

I really enjoyed Miss Fortune! Sure, it’s not perfect, but the energy of the cast made it fun. I thought the mom-daughter dynamic felt real. They don’t always agree, but they still trust each other enough to try this crazy plan. The scene where the daughter talks to the detective had so much tension and awkward humor, I was glued to the screen. I would recommend this movie if you want something with a bit of heart and a bit of mischief. I’d rate it a 7.

 

[ContinuumEnthusiast]

I watch Korean movies to help improve my listening skills. This one was good because it had many scenes of daily conversation, not too much shouting or fast action. The plot was simple, so I could follow without subtitles sometimes. I liked the mother’s acting and the way she changed her voice when pretending to be someone else. It helped me learn different tones and vocabulary. As a language learner, I think it was useful and also entertaining.

 

[BROOKE]

As a mother myself, I related to Lee Ji-Hye’s struggle, even if I’ve never broken the law. The idea that she wants a better life for her daughter, while also dragging her into danger, hit me in a strange way. She knows what she’s doing is wrong, but she sees no other path. That’s real desperation. I don’t agree with their choices, but I understand the fear behind them. Watching them navigate this one last job felt like watching a family try to escape a cycle they didn’t choose. Not the best movie in terms of structure or polish, but emotionally, it resonated with me more than I expected.

 

[qwee4287]

I liked it, but it didn’t blow me away. It had some funny moments, but also a few scenes that dragged. I mainly watched because Bang Min-Ah was in it. She’s great, and I like how different her role was here compared to Delivery Man. I think the movie had potential, but the pacing was uneven. Also, I wanted more screen time for the villain. He was interesting, but not explored enough. Still, I’d say it’s worth watching if you’re a fan of crime stories with a light tone.