"The Return" Opens In Select Theaters

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Homer’s Odyssey is an epic in many ways — it’s not just a tale of high adventure, struggle and suspense, but of fidelity. Odysseus and his wife Penelope are separated for twenty years, but they never, ever lose hope that the one they love is still out there and waiting. This alone is interesting enough to be its own movie, and director Uberto Pasolini has made just such a film in “The Return.” There are no Greek gods, monsters or sorceresses in this…”The Return” is JUST the return, the part at the end where Odysseus exhaustedly drags himself back onto the shore of Ithaca and, after catching his breath for a moment, has to fight a ton of bad dudes for his throne. You might think “didn’t a goddess help disguise him?” but that’s not in there either — Pasolini went for a grounded take. “The King has returned from the Trojan War, but much has changed in his kingdom,” reads the synopsis. “His beloved wife Penelope (Binoche) is a prisoner in her own home, hounded by suitors vying to be king. Their son Telemachus faces death at the hands of these suitors, who see him as merely an obstacle […]
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“The Return” Opens In Select Theaters | popgeeks.com

There are no Greek gods, monsters or sorceresses in this..."The Return" is JUST the return, the part at the end where Odysseus exhaustedly drags himself back...

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[Chungieboy]

I’ve always been fascinated by Greek mythology, so this grounded approach to The Odyssey intrigues me. Ralph Fiennes as Odysseus? Brilliant casting! I love the idea of focusing on his struggles as a changed man. However, I’m a bit disappointed that the gods and supernatural elements were left out—they’re such an integral part of the original tale. Still, I’ll give it a shot for the emotional depth it promises.

 

[zuddles]

This sounds like an artistic take I’d enjoy dissecting. Stripping The Odyssey of its fantastical elements is bold, and I respect Uberto Pasolini for that. However, the question is whether it can hold attention without the epic flair. Can a story about human struggle alone captivate today’s audience? I’ll definitely check it out to find out.

 

[Grimace Frappucino]

I love the timeless themes of The Odyssey, but I’m not sure about this interpretation. The gods and mythical creatures add so much texture to the original story. Without them, will it feel like just another historical drama? I adore Juliette Binoche, though, so her presence might tip the scales for me.

 

[Mulan_Rouge]

I’m glad Pasolini avoided the CGI-heavy extravaganza route! Modern adaptations tend to overdo the visuals, but this sounds refreshingly simple. I’m excited to see how Odysseus’s humanity is portrayed here. The story’s themes of resilience and loyalty feel so relevant today.