decision to leave p2

Decision to Leave ~ Am I Attracted to a Murderer?

“Decision to Leave” (aka “Resolution to Break Up”) is a 2022 Korean film, categorized as Police procedural, Crime, Mystery, Psychological Thriller, and Suspense; streaming on Hulu.

SUMMARY: A married detective develops feelings for a woman he suspected of murdering her husband.

She’s Killed Before

In “Decision to Leave”, Hae-Joon is a detective investigating the case of a man found dead on a mountain. It appears to be an unnatural death, and while everyone else wants to write it off as suicide or accidental, he’s not so sure the wife didn’t meticulously plan a murder. Seo-Rae is the wife, now widow, of the deceased man, and she is brought into the police station for questioning. She’s Chinese and uses a real-time language translator device to speak in her native tongue, and then it translates into Korean for the detective. Seo-Rae is very attractive. But is she also a “black widow”?

In most cases of “black widow” murders, the femme fatales usually killed for profit. In this case, Seo-Rae didn’t gain much financially. However, she is free of a husband who abused her. When they told her that her husband was dead, she didn’t exactly cry a river of tears. She told the detective that he wanted to go to the mountain, and she didn’t want to go. He got angry and assaulted her.

Seo-Rae even lifted her skirt and showed Hae-Joo the bruises on her very attractive thigh. He tried to call for a female officer to come into the room, but she didn’t pretend to be modest at all. She told him to go right ahead, get up close, and take photos for evidence.

The police had to release her because there was no evidence to prove a crime had been committed. Hae-Joo could not accept that and refused to stop investigating. He believed that if he surveilled Seo-Rae, she would do something to give herself away. Seo-Rae worked as a care assistant for the elderly, and all of the people she took care of loved her so much that they referred to her as their daughter.

After work, she usually went straight home and … didn’t do much at all. Ended her day by falling asleep after eating ice cream with the TV on. Not a very exciting life for a cold-blooded murderer. That’s what he wrote in his notes.

As he continued to investigate and learn more about the “suspect”, the “very attractive suspect”, he discovered that she had left her country because she had killed her mother. The woman who gives such tender care to the elderly that people say she’s like their daughter? She committed matricide? If she can kill her mother, surely she can murder her husband. That was Hae-Joo’s logic. Although when he confronted her about her mother, and she told him the entire story, he was conflicted and began to have doubts. However, a fellow detective told him, “Killing is like smoking. Only the first time is hard.”

Hae-Joo spent a lot of time surveilling Seo-Rae, and even though he is happily married – at least his wife thinks they’re happily married – he is drawn to this mysterious woman. Is he being drawn into the web of a black widow? Most people know that the black widow spider is infamous for its venom. BEWARE! It’s dangerous!

Main Characters:

Where to Watch

Viewership and Rating:

  • IMDb: 7.3 out of 10 stars
  • My Drama List: 7.8 out of 10 stars
  • Letterboxd: 4 out of 5 stars
  • RogerEbert.com: 3 out of 5 stars
  • Google users shared a public rating: 3.9 out of 5 stars

My personal rating is the same as RogerEbert.com.

Decision to Leave” is a noir movie that is heavily influenced by “Vertigo”, the 1958 Alfred Hitchcock’s classic film about obsession and deception.

Other K-dramas Like Hitchcock Thrillers: (Psychological tension, mystery, and a touch of noir.)

LINKS OF INTEREST:

Decision to Leave movie review (2022) | Roger Ebert

Decision to Leave (2022): What am I missing? : r/Koreanfilm | Reddit

A Labyrinth of Desire – ‘Decision to Leave’ Review | The New York Times

Movie Review: Decision to Leave | Pittsburgh Magazine

‘Decision to Leave’ Review: A Dazzling and Mischievous Murder Mystery | Variety

Decision to Leave review – Park Chan-wook at his playful, slinky best | Crime films | The Guardian

TRAILER/TEASER:

MUBI. (2022). DECISION TO LEAVE [Video]. In YouTube. https://www.youtube.com/watch?v=Bmoy73lhs-s.

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Avatar of JinnyGoesKrazy
JinnyGoesKrazy

❤️ I want nobody but you

183 messages 6 likes

I found Decision to Leave intellectually engaging more than emotionally satisfying. From a logic perspective, the case felt airtight against Seo-Rae, yet the narrative skillfully introduced just enough ambiguity to keep me questioning. I appreciated the layered storytelling — especially the use of surveillance and internal monologue to explore Hae-Joon’s conflict. His descent into obsession was subtle and believable. I didn’t find Seo-Rae seductive in a traditional femme fatale way. She wasn’t manipulative through sexuality — she was simply inscrutable, and that’s what made her dangerous. What I liked most is that the film didn’t give us a simple villain or hero. Everyone was morally blurred. That said, I’m not convinced Seo-Rae is as dangerous as some make her out to be. If anything, I felt more sorry for her than afraid.

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Avatar of Pompom
Pompom

New Member

11 messages 1 like

I cried watching this. Not because it was sad in a usual way, but because I felt how lonely both characters were. Seo-Rae didn’t scare me. She seemed tired, like she had suffered too much and just wanted peace. I believe she killed her husband, yes, but I also understand why. It felt more like survival than evil. Hae-Joon wasn’t just obsessed; he was searching for meaning in a marriage that had grown cold. That’s what I saw. This movie was more about human weakness than crime.

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Avatar of tiffanyfcollins
tiffanyfcollins

Member

46 messages 1 like

Park Chan-wook does modern noir better than most. This film reminded me a lot of Vertigo, yes, but it also had shades of Basic Instinct. The detective falling for the suspect isn’t new, but here it’s less erotic and more psychological. Hae-Joon becomes addicted not to her beauty, but to the mystery she represents. Seo-Rae isn’t a typical femme fatale. She’s calm, wounded, and deeply sad. That’s what makes her so dangerous — she doesn’t need to act seductive; the mystery does the work. Her quietness is louder than any scream. Also, the cinematography is worth mentioning. Every frame is beautiful and purposeful. The mountain scenes were haunting. I don’t think it’s a perfect movie — I feel like the ending was a bit too symbolic for its own good — but it sticks in your mind long after watching.

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