Annie Awards Nominations and Guests

2026 Annie Awards Nominations Celebrate the Best Soundtracks

Often overlooked, the Annie Awards serve as the gold standard for celebrating animation achievement. Given the 2026 Annie Awards nominations, this year’s event promises to be no exception, handing out honors in 32 categories to the individuals who bring our favorite stories to life, including those in the musical arts.

Keep reading to learn who got nominated, as well as when and where you can watch the event.

The 53rd Annie Awards Nominations Demonstrate the Importance of Music in Animation.

Run by the Hollywood Chapter of the International Animated Film Society (ASIFA-Hollywood), the Annie Awards are the world’s most prominent celebration of the animated arts and those who work in them. Often called the Oscars of Animation, the awards honor excellence in animation, voice acting, soundtracks, and everything in between.

The soundtrack categories hold a special place. These categories honor the composers, songwriters, and sound artists who craft the soundtracks that define our favorite characters and memorable scenes. As such, they are a testament to the collaborative relationship between music and animation.

The 2026 Annie Awards Nominations in Music

The Annie Awards celebrate soundtrack music through outstanding musical achievement categories in both feature film and television productions. Revealed on January 5, 2026, this year’s nominees offer several musical styles and approaches from around the world, from sweeping orchestral scores to inventive electronic soundscapes.

Best Animated Feature Film Soundtrack

The Best Feature Music Category honors high-profile animated features with great soundtracks. This year, the nominees come from both established studios and independent productions.

  • Arco – Arnaud Toulon (Remembers, MountainA France, France 3 Cinéma)
  • Elio – Rob Simonsen (Pixar)
  • KPop Demon Hunters – KPop Demon Hunters Music Team (Sony, Netflix)
  • Little Amélie or the Character of Rain – Mari Fukuhara (Maybe Movies, Ikki Films, GKIDS)
  • Zootopia 2 – Shakira, Ed Sheeran, Blake Slatkin, Michael Giacchino (Walt Disney)

Best Animated Television Series Soundtrack

The Television Music Category celebrates animated series and specials that pushed musical boundaries. It’s also awarded per episode, allowing series to have multiple nominees.  

  • Common Side Effects: “Lakeshore Limited” – Nicolas Snyder (Green Street, Bandera, Williams Street)
  • Devil May Cry: “The First Circle” – Power Glove, Alex Seaver (Netflix, Studio Mir, Adi Shankar, Capcom)
  • Éiru– Leo Pearson, Ceara Conway (Cartoon Saloon)
  • Snoopy Presents: A Summer Musical – Ben Folds, Jeff Morrow, Alan Zachary, Michael Weiner (WildBrain Studios, Apple)
  • Win Or Lose: “Episode 6, Mixed Signals” – Ramin Djawadi, Shane Eli, Johnny Pakfar (Pixar)

The Other 2026 Annie Awards Nominations

53rd Annie Awards Ceremony logo

Music’s impact on animation can’t be overstated, but it’s not the only thing celebrated at the Annies. ASIFA-Hollywood gives out awards in 32 categories in total, encompassing everything in the animation world.

This year, KPop Demon Hunters lead the pack with thirteen 2026 Annie Awards nominations, including Best Feature. However, Pixar’s Elio isn’t that far behind with ten.

Best Animated Feature 2026 Annie Awards Nominations

ASIFA-Hollywood established the Annie Awards in response to the Academy Awards‘ snubbing of animation. That rivalry continues to this day, even after the Oscars added the Best Animated Feature category in 2002, even though half of all Annie winners have won golden statues since then.

This year, the following five films aim to add to that total.

  • Elio – Pixar
  • KPop Demon Hunters – Sony, Netflix
  • Little Amélie or the Character of Rain – Maybe Movies, Ikki Films, Gkids
  • The Bad Guys 2 – DreamWorks
  • Zootopia 2 – Walt Disney

Best Animated Independent Feature

Five films are fighting for the indie crown:

  • A Magnificent Life – Mediawan, What the Prod, Bidibul
  • Arco – Remembers, MountainA France, France 3 Cinéma
  • I’m Frankelda – Cinema Fantasma, Warner Bros. Discovery, Woo Films, Cine Vendaval
  • Lost In Starlight – Netflix / Climax Studio
  • Scarlet – Studio CHIZU

Best Animated Special

Everyone loves a good, animated special, such as these:

  • A Loud House Christmas Movie: Naughty or Nice – Nickelodeon, Jam Filled Entertainment
  • Adult Swim’s The Elephant – Titmouse, Williams Street
  • Not Just a Goof – Venturia, CNEK Films
  • Snoopy Presents: A Summer Musical – WildBrain Studios, Apple
  • The Night Before Christmas in Wonderland – Lupus Films, Universal

Best Animated Short 2026 Annie Awards Nominations

Which one of these is your favorite short film?

  • Cardboard – Locksmith Animation
  • Ovary-Acting – Klipp og Lim, Jante Films, Apparat Filmproduktion AB
  • Pillowzzz – Animoshe
  • Snow Bear – The Art of Aaron Blaise
  • The Girl Who Cried Pearls – National Film Board of Canada

Best Sponsored Animation

These crossovers exist to make you buy things.

  • Honkai: Star Rail Animated Short: Trek | Honkai: Star Rail – FLiiiP Design
  • Fortnite x The Simpsons: Apocalypse D’Oh! – Gracie Films,  20th Television
  • LouiMax Dreams of Being an Adult – Imagine Create Media, Maileg
  • Olipop Yeti – Screen Novelties, Passion
  • Sonic Racing: CrossWorlds – The Animation – SEGA, GXS

Best Preschool Television Series

These are the best shows for little kids. The award is per episode.

  • Eva The Owlet: “Welcome to Treetopington” – Brown Bag, Scholastic, Apple
  • Kindergarten: The Musical!: “Gotta Go!” – Oddbot, Walt Disney
  • The Tiny Chef Show: “Tiny Chef’s Spooky Stump Spectacular” – Imagine, Tiny Chef, Nickelodeon
  • Wow, Lisa: “Rainy Day” – Punkrobot
  • Xavier Riddle and the Secret Museum: “I am Jackie Robinson” – 9 Story Media, Brown Bag Films

Best Children’s Television 2026 Annie Awards Nominations

These are the best children’s cartoons on TV! The award is per episode.

  • My Melody & Kuromi: “All for Our Best Friend” – Sanrio Company, Netflix
  • Spice Frontier: Escape From Veltegar: “Episode 1” -Steamroller
  • Tales of the Teenage Mutant Ninja Turtles: “Rise of the Night Ninja” – Nickelodeon, PointGrey
  • The Wonderfully Weird World of Gumball: “The Rewrite” – Hanna-Barbera Europe
  • Wylde Pak: “Sungandeul” – Nickelodeon, Jam Filled

Best Mature Television Animation

Awarded per episode, this category is for us adults.

  • Bob’s Burgers: “Grand Pre-Pre-Pre Opening” – 20th TV
  • Common Side Effects: “Pilot” – Green Street, Bandera, Williams Street
  • Haha, You Clowns: “Episode 107: Duncan Holds a Baby” – Williams Street
  • Il Baracchino: “Claudia entra in un caffè” – Luckyred, Megadrago
  • South Park: “Sermon on the ‘Mount” – Comedy Central

Best Limited Animation 2026 Annie Awards Nominations

These are the nominations for the best limited animation series category:

  • Asterix & Obelix: The Big Fight: “Episode III” – Netflix, Banijay France, Légende Films
  • Eyes of Wakanda: “Into the Lion’s Den” – Marvel
  • Marvel Zombies: “Episode: 2” – Marvel
  • Star Wars: Visions – Volume 3: “BLACK” – David Production
  • Win Or Lose: “Episode 8: Home” – Pixar

Best Student Film 2026 Annie Awards Nominees

These kids are the next generation of animated filmmakers.

  • A Sparrow’s Song – Director/Producer Tobias Eckerlin (School: Filmakademie Baden-Württemberg GmbH)
  • Acrobats – Directors Eloïse Alluyn, Hugo Danet, Anna Despinoy, Antonin Guerci, Alexandre Marzin, Shali Reddy (School: Gobelins)
  • Jour de vent – Directors Martin Chailloux, Ai Kim Crespin, Elise Golfouse, Chloé Lab, Hugo Taillez, Camille Truding (School: École des Nouvelles Images)
  • The Undying Pain of Existence – Director Oscar Jacobson, Producers Franz Rügamer, Nadiia Yunatska (School: Filmakademie Baden-Württemberg GmbH)
  • TRASH – Directors: Maxime Crançon, Alexis Le Ral, Producers Robin Delaporte, Romain Fleischer, Mattéo Durand (School: ESMA)

Best FX in Television

This category celebrates the best animated visual FX in television.

  • Marvel Zombies: “Episode 4” – Marvel, Stellar Creative Lab
  • Prehistoric Planet: Ice Age: “The Big Freeze” – BBC, Framestore
  • Spice Frontier: “Episode 1” – Steamroller
  • Star Wars: Visions – Volume 3: “The Bird of Paradise” – Polygon
  • WONDLA: “Lost” – Skydance, ICON Creative Studio

Best Movie FX 2026 Annie Awards Nominees

These films have the best cinematic animated FX.

  • Elio – Pixar
  • In Your Dreams – Netflix, Kuku Studios, Sony
  • KPop Demon Hunters – Sony, Netflix, Sony
  • The Bad Guys 2 – DreamWorks
  • Zootopia 2 – Walt Disney

Best Character Animation

These animated series and specials had the best characters in 2025.

  • Asterix & Obelix: The Big Fight: “Episode III” – Netflix, Banijay France, Légende Films
  • Forevergreen – Nathan Engelhardt, Jeremy Spears
  • Snoopy Presents: A Summer Musical – WildBrain Studios, Apple
  • The Simpsons (Various Episodes) – Gracie Films, 20th Television
  • Win Or Lose (Various Episodes) – Pixar

Best Feature Film Character Animation

These films had the best characters in movies in 2025.

  • Elio – Pixar
  • KPop Demon Hunters – Sony, Netflix
  • Little Amélie or the Character of Rain – Maybe Movies, Ikki Films, Gkids
  • The Bad Guys 2 – DreamWorks
  • Zootopia 2 – Walt Disney

Best Live-Action Character Animation

These live-action films had the best animated supporting cast in 2025.

  • A Minecraft Movie – Warner Bros., Legendary Pictures, Mojang, Vertigo, On the Roam, Weta FX
  • Captain America: Brave New World – Marvel, Walt Disney, Weta FX
  • How To Train Your Dragon – DreamWorks, Framestore
  • Prehistoric Planet: Ice Age – BBC, Framestore
  • Superman – DC Studios, Framestore

Best Video Game Character Animation

These were the best characters in gaming in 2025.

  • Bye, Sweet Carole – Little Sewing Machine
  • Death Stranding 2: On the Beach – Kojima
  • Ghost of Yōtei – Sucker Punch
  • KeeperDouble Fine
  • South of Midnight – Compulsion Games

Best Designed Animated Characters in Television

These television series and specials had the best-designed characters last year.

  • Asterix & Obelix: The Big Fight: “Episode IV” – Netflix, Banijay France, Légende Films
  • Bat-Fam: “A Knight at the Movies” – Amazon, MGM, Warner Bros., DC Entertainment
  • Love, Death + Robots: “400 Boys” -Blur Studio, Netflix
  • Wednesdays with Gramps – DreamWorks
  • Win Or Lose: “Episode 8, Home” – Pixar

Best Designed Animated Characters in Movies

Which movie do you think had the best character designs last year?

  • Elio – Pixar
  • Fixed – Sony, Netflix
  • KPop Demon Hunters – Sony, Netflix
  • The SpongeBob Movie: Search for SquarePants – Paramount, Nickelodeon
  • The Twits – Netflix, The Roald Dahl Story Company

Best Television Director Annie Awards Nominations

Do you think these were the best directors on television last year?

  • Vincent Tsui – Common Side Effects: “Cliff’s Edge” (Green Street, Bandera, Williams Street)
  • Fuga Yamashiro, Abel Góngora – DAN DA DAN: “Clash! Space Kaiju vs. Giant Robot!” (Science SARU, Mainichi Broadcasting System, Gkids)
  • Siri Melchior – Not a Box: “It’s a Boat” (Silver Creek Falls, Passion Pictures, Apple)
  • JJ Conway, Kevin Molina-Ortiz – Tales of the Teenage Mutant Ninja Turtles: “Rise of the Night Ninja” (Nickelodeon, PointGrey)
  • James A. Castillo – The Quinta’s Ghost (Martirio Films, Illusorium films)

Best Feature Director

These are the Best Directors in animated cinema:

  • Ugo Bienvenu, Adam Sillard, Anaëlle Saba – Arco (Remembers, MountainA France, France 3 Cinéma)
  • Tatsuya Yoshihara – Chainsaw Man – The Movie: Reze Arc (MAPPA Studios)
  • Maggie Kang, Chris Appelhans – KPop Demon Hunters (Sony, Netflix)
  • Maïlys Vallade, Liane-Cho Han – Little Amélie or the Character of Rain (Maybe Movies, Ikki Films, Gkids)
  • Mamoru Hosoda – Scarlet (Studio CHIZU)

Best Television Producer Nominations

These are the 2026 Annie Awards nominations for the Best Animation Production in Television:

  • Asterix & Obelix: The Big Fight: “Episode II” – Netflix, Banijay France, Légende Films
  • Forevergreen  – Nathan Engelhardt, Jeremy Spears
  • Love, Death + Robots:” How Zeke Got Religion” – Blur Studio, Netflix
  • ParaNorman: The Thrifting – LAIKA
  • Wednesdays with Gramps – DreamWorks

Best Feature Producer 2026 Annie Awards Nominations

Who was the best production team for an animated movie last year?

  • Elio – Pixar
  • KPop Demon Hunters – Sony, Netflix
  • The Bad Guys 2 – DreamWorks
  • The Twits – Netflix, The Roald Dahl Story Company
  • Zootopia 2  -Walt Disney

Best Television Storyboards

Who do you believe had the best storyboarding on television last year?

  • Love, Death + Robots: “How Zeke Got Religion” -Blur Studio, Netflix
  • ParaNorman: The Thrifting – LAIKA
  • Snow Bear – The Art of Aaron Blaise
  • Tales of the Teenage Mutant Ninja Turtles: “Rise of the Night Ninja” – Nickelodeon, PointGrey
  • Win Or Lose: “Episode 8, Home” – Pixar

Best Feature Storyboards

These animated movies claim they had the best storyboards in 2025:

  • Arco – Remembers, MountainA France, France 3 Cinéma
  • Elio – Pixar
  • Little Amélie or the Character of Rain – Maybe Movies, Ikki Films, Gkids
  • The Bad Guys 2 – DreamWorks
  • Zootopia 2 – Walt Disney

Best Television Voice Actor

These are the Best Voice Acting on Television Award nominees:

  • Dan Mintz (as Tina Belcher) – Bob’s Burgers: ”Don’t Worry Be Hoopy” (20th TV)
  • Erika Henningsen (as Charlie Morningstar) – Hazbin Hotel: “Behind Closed Doors” (Amazon MGM, A24, Bento Box)
  • Abbi Jacobson (as Shira Schwooper) – Long Story Short: “Shira Can’t Cook” (Tornante, ShadowMachine, Netflix)
  • Zach Hadel (as Evil Wizard) – Smiling Friends: “Shmaloogles” (Williams Street)
  • Alkaio Thiele (as Gumball Watterson) – The Wonderfully Weird World of Gumball: “The Amadain” (Hanna-Barbera Europe)

Best Feature Voice Actor 2026 Annie Awards Nominations

Who had the best voice in cinema?

  • Lil Rey Howery (as Chief) – Dog Man (DreamWorks)
  • Remy Edgerly (as Glordon) – Elio (Pixar)
  • Craig Robinson (as Baloney Tony) – In Your Dreams (Netflix, Kuku Studios, Sony)
  • Arden Cho (as Rumi) – KPop Demon Hunters (Sony, Netflix)
  • Maitreyi Ramakrishnan (as Beesha) – The Twits (Netflix, The Roald Dahl Story Company)

Best Animated Television Screenplay

Which television series or special had the Best Writing last year?

  • #1 Happy Family USA: “Episode 101: NINE TEN” – Amazon MGM, A24, Cairo Cowboy
  • Adult Swim’s The Elephant – Titmouse, Williams Street
  • Common Side Effects: “Pilot” – Green Street, Bandera, Williams Street
  • Lulu is a Rhinoceros – Bento Box, Propagate, Apple
  • Win Or Lose: “Episode 4, Pickle” – Pixar

Best Animated Feature Screenplay

These are the nominees for the Best Writing in Feature Animation category:

  • Elio – Pixar
  • KPop Demon Hunters – KPop Demon Hunters Editorial Team
  • Little Amélie or the Character of Rain – Maybe Movies, Ikki Films, Gkids
  • Scarlet – Studio CHIZU
  • Zootopia 2 – Walt Disney

Best Television Editing

Which episode or special do you think had the best editing in 2025?

  • Asterix & Obelix: The Big Fight: “Episode III” – Netflix, Banijay France, Légende Films
  • Common Side Effects: “Raid” – Green Street, Bandera, Williams Street
  • Haunted Hotel: “The Acolytes of Abaddon” – Titmouse, Netflix
  • Invincible S3: “I Thought You’d Never Shut Up” – Amazon MGM, Skybound
  • Tom Clancy’s Splinter Cell: Deathwatch: “Up From the Grave” – Ubisoft

Best Animated Feature Editing

Finally, here are the contestants for the 2026 Annie Award for Best Feature Editorial:

  • Arco – Remembers, MountainA France, France 3 Cinéma
  • Elio – Pixar
  • KPop Demon Hunters – Sony, Netflix
  • Little Amélie or the Character of Rain – Maybe Movies, Ikki Films, Gkids
  • Olivia & las Nubes – Cine Chani, Historias de Bibi & Guasábara Cine

2026 Annie Awards Achievement Award Winners

In addition to the voting categories, ASIFA-Hollywood presents several achievement awards. Called the Juried Awards, these honors celebrate “unparalleled achievement and exceptional contributions to animation.” This year’s winners include:

  • Michaël Dudok de Wit, Christopher Miller, Phil Lord, and Chris Sanders – Winsor McCay Lifetime Achievement Award
  • Sandy Rabins – June Foray Community Impact Award-
  • Wacom – Ub Iwerks Technical Achievement Award
  • LightBox Expo – Special Achievement Award

When will the 53rd Annie Awards Air?

ASIFA-Hollywood will hold the 53rd Annie Awards ceremony on February 21, 2026, at UCLA’s Royce Hall. No television coverage has been announced. However, the organization will stream the event live on its website.

Final Thoughts

Winning an Annie is a significant honor that recognizes both creative achievement and technical mastery in animation. It’s also fun for us fans to see our favorite artists get what they deserve.

Stay tuned for the winners. In the meantime, post your preferred winners in the forums or in the comments below.

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Avatar of Bruno
Bruno

You Don't talk about!

1,050 messages 31 likes

A lot of people talk about animation style and story, but music does a lot of emotional work. When I think about animated movies I like, I remember the sound first. Seeing Elio and Zootopia 2 in the music list makes sense. Pixar usually does not miss when it comes to score choices. I am also happy to see KPop Demon Hunters getting attention. Some people dismiss it as loud or trendy, but the music fits the tone and audience very well. I also like that TV soundtracks are judged per episode. That feels more fair, because some episodes clearly put more effort into music than others. I watched Snoopy Presents with my family and the songs were simple but effective. They stayed in my head longer than expected. I hope more fans start paying attention to soundtrack awards, not just best picture or best animation. Music is not decoration. It is part of storytelling.

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Avatar of TearStainedDreams
TearStainedDreams

Active Member

660 messages 22 likes

I follow the Annies every year and I always feel they understand animation better than bigger award shows. The music categories are my favorite part. I work with audio a bit, so I notice when a score is lazy or when it actually supports the scene. Devil May Cry being nominated for TV music feels right. Power Glove knows how to push energy without drowning everything else. I also respect that international projects like Éiru and Little Amélie are here. It reminds me that animation is not just Hollywood and Japan. Some smaller productions do more interesting work with fewer resources. I am less excited about Zootopia 2 being everywhere, but I understand why it is here. Big studios have better access to top composers. Still, I hope one of the quieter films wins something. I like when awards surprise people instead of repeating the same names every year.

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Avatar of Drake
Drake

Well-Known Member

967 messages 35 likes

I honestly did not expect to see such a long list, but it shows how big animation has become. What stood out to me is how many different platforms are involved. Netflix, Apple, Disney, Adult Swim, even video games. Animation is not one lane anymore. I am rooting for Common Side Effects in TV categories.

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Avatar of Death Dance
Death Dance

New Member

18 messages 0 likes

I will be honest, I mostly came to look for KPop Demon Hunters. I enjoyed that movie more than I expected, especially the music. It knew exactly what kind of audience it wanted. Seeing it lead in nominations feels deserved. At the same time, I appreciate that the list is not just mainstream stuff. Shows like Éiru and films like Little Amélie probably will not be watched by everyone, but they deserve attention too. I like awards that mix popular and niche projects. It keeps things balanced. I am also happy that voice acting categories are still strong. Good voice work is easy to ignore when animation looks nice. Some performances carry entire scenes. I may not agree with every nomination, but overall this looks like a solid year for animation fans.

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Avatar of Ryan Duckling
Ryan Duckling

Member

607 messages 17 likes

Back then, animation awards were barely talked about. Now there are categories for almost every part of production. I paid attention to the FX nominations. Animated effects are often taken for granted, but they are hard to get right. Prehistoric Planet: Ice Age looks amazing, so I am glad it is recognized. I also noticed how many sequels are here. Elio, Zootopia 2, The Bad Guys 2. That tells me studios feel safer investing in animation now. Still, I hope new stories keep getting chances. That is why student films and indie features are important. They remind everyone that animation is not just franchises.

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Avatar of Kurapikachu
Kurapikachu

Member

423 messages 5 likes

I mainly watch adult animation, so I focused on that section first. Bob’s Burgers and South Park being there feels expected, but I was more interested in newer shows. Common Side Effects keeps popping up, and I think that is a good sign. It does not rely on shock humor, and the music supports the mood instead of fighting it. I also appreciate that writing and editing categories exist. Those parts decide whether a show flows or feels messy. A lot of people blame animation quality when the real problem is pacing. Seeing Love, Death + Robots in storyboards and editing makes sense. That series lives and dies by visual planning. Even when an episode is not for me, I can still respect the work behind it.

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Avatar of FlintTrooper88
FlintTrooper88

New Member

577 messages 25 likes

Glad to see the Annie Awards still put serious focus on music. Soundtracks in animation are usually treated like background filler, even though they control the mood more than dialogue does. The mix of nominees here feels balanced. Big studio films sit next to quieter international projects, and that matters. Little Amélie being nominated shows that softer, emotional scoring still has a place. Television music getting judged per episode also feels fair. Some shows clearly experiment more in certain episodes, and that work should be noticed. This list actually made me want to rewatch a few series just to pay attention to the sound design. That does not happen often with award news.

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Avatar of Vaccine Vaccine Vaccine
Vaccine Vaccine Vaccine

New Member

56 messages 1 like

Nice to see animation awards that do not pretend everything is the same genre. Preschool shows, adult animation, indie films, and sponsored shorts all get their own space. That separation helps avoid pointless comparisons. The music categories stand out because they show how many different approaches exist. Orchestral, electronic, pop-driven, all sitting side by side. KPop Demon Hunters leading in nominations makes sense from a production standpoint. Sony and Netflix clearly invested a lot into the sound. At the same time, smaller projects being listed prevents the awards from feeling like a studio checklist.

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Avatar of Farmboi231
Farmboi231

New Member

551 messages 24 likes

One thing that stands out is how global the nominations are. French, Japanese, Irish, Korean, and American studios all appear across categories. Animation really feels like an international space now, not just something led by Hollywood. That also shows in the music choices. Different cultures use rhythm and melody in very different ways, and animation benefits from that. Éiru being nominated is a good example. It does not sound like typical TV animation music, and that is a strength. Awards should encourage that kind of difference, not smooth it out.

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