Wildwood Soundtrack

Wildwood Soundtrack Drops on October 23

Decca Records will release the Wildwood Soundtrack for the LAIKA Studios’ animated feature. The 26-track album will basically cover the entire original score and the original song “The Better Part of Bravery” by The Decemberists.

Keep reading to learn more about the song and its release date.

The Wildwood Soundtrack Will Release with the Film

We’re weeks away from LAIKA’s handcrafted fantasyarrivingin theaters on October 23, 2026. And if you’re waiting for your chance to enter the Wildwood, you won’t have to wait long for the soundtrack.

That’s because the Wildwood soundtrack also arrives that day, digitall and physically on CD or vinyl from Decca Records. Moreover, the 26-track album will feature the film’s entire original score by Dario Marianelli. It will also feature the original song “The Better Part of Bravery” by The Decemberists.

That final collaboration is especially fitting since the film’s based on a book by Colin Meloy. Meloy, of course, is The Decemberists’ frontman. So, you know the song’s going to serve as the bridge between the source novel and the animated adaptation.

The Soundtrack’s Track Listing

However, the titles for the score cues seem equally as important. For instance, “The Impassable Wilderness” suggests the forest will represent the unknown.

Meanwhile, “A Wildwood Chase,” “A Flight and a Dogfight,” and “Into Battle” promise kinetic set pieces. Then, there’s “Alexei’s Story”, which hints at deeper emotional flashbacks, while “Homecoming” promises a resolution.

A few of the tracks are also under a minute long, while others cross the four-minute mark. That range suggests quick character beats alongside generally longer narrative sequences.

Here’s the complete album track list:

  1. The Impassable Wilderness (2:38)
  2. Meet the McKeels (1:54)
  3. Into the Wild Wood (1:54)
  4. The Coyotes (0:57)
  5. A Wildwood Chase (1:31)
  6. Journey to South Wood (1:48)
  7. Alexandra, The Dowager Governess (2:04)
  8. Pittock Mansion (1:13)
  9. Curtis Rides Out (4:06)
  10. Prue on the Run (4:13)
  11. 86 Rue Thurmond (1:40)
  12. Alexei’s Story (4:48)
  13. A Flight and a Dogfight (3:51)
  14. The Ivy’s Waltz (1:14)
  15. Here’s the Thing (2:13)
  16. Escape from the Warren (1:28)
  17. The Deal (2:07)
  18. Iphigenia & the Mystics (4:05)
  19. Three Armies (2:04)
  20. Into Battle (3:11)
  21. ATTACK! (2:46)
  22. The Plinth (3:52)
  23. Victory (1:29)
  24. Time to Go Back (2:30)
  25. Homecoming (1:41)
  26. The Better Part of Bravery – The Decemberists (4:25)

Dario Marianelli: an Exciting Choice for the Wildwood Score

Obviously, the Wildwood Soundtrack is mostly scoring cues. So, much of the soundtrack is riding on Marianelli’s shoulders.

Luckily, Marianelli is a particularly good match for the film. The award-winning composer has already proven that he can move between lyrical intimacy, intricate motion, and storybook scale. And her can do it without making them feel cheap and generic.

That’s a good thing because animation needs that flexibility. A miniature facial adjustment or a hand-built leaf can carry as much narrative weight as an army, for example. And the score basically has to honor both just the same.

But that’s not all. Marianelli previously scored LAIKA’s The Boxtrolls and Knight’s Kubo and the Two Strings, making Wildwood a reunion of sorts. However, it also means that Marianelli is quite familiar with the studio’s literary style.

So, we can expect the soundtrack to respond vividly to the film’s visuals. In other words, we can expect the rhythms to feel physical and the instrumental colors to seem carved into the scenery. Moreover, we can expect the melody to maintain the film’s childlike point of view, regardless of how the story turns.

How the Soundtrack Could Deepen LAIKA’s Stop-Motion World

Speaking of that story, Wildwood is directed by Travis Knight with a script from Chris Butler. As I have said, it’s an animated, stop-motion adaptation of the fantasy novel by Colin Meloy and Carson Ellis. As a result, it follows Prue McKeel’s adventures into a hidden forest outside Portland as she tries to find her lost, abducted younger brother.

And according to the film’s trailers, it will feature a multitude of warring factions, remarkable creatures, and a secret realm. That is on top of the intimate family stakes set against an expansive fantasy mythology. All in all, that’s a generous canvas for a composer.

Moreover, it’s stop-motion, which comes with its own built-in pulse. And that’s because an artist must create every movement by individually advancing the puppets and objects one increment at a time. So, the film must rely on the soundtrack to maintain continuity across them all.

And that’s on top of the usual animation requirements for making the film feel real. For instance, the Wildwood Soundtrack must give the forest its personality and shape. In other words, it must make known to us the invisible roots, wings, weather, distance, and unseen inhabitants beyond the frame.

What We Can Expect

Luckily, the track list already suggests how the soundtrack will pull that off. For instance, “Meet the McKeels” likely presents the McKeels’ family dynamics, while “Into the Wild Wood” will mark the start of the adventure.

Meanwhile, “The Coyotes” and “Iphigenia & the Mystics” are likely motifs for the forest’s various groups and factions. Then, there is “The Ivy’s Waltz,” which suggests a graceful yet mysterious dance.

In other words, we can expect the Wildwood Soundtrack to feature motifs for Prue and her family, the wilderness, and the forces competing within it. And if it does, it might be a rewarding listening experience long after the credits roll.

Official Wildwood Soundtrack vs. Wildwood Sessions

However, the Wildwood Soundtrack won’t be the only soundtrack release for the film. That’s because Decca Records is dropping the Wildwood Sessions on October 16.

Please note that the Wildwood Soundtrack is the official soundtrack for the film. It’s the only one with the film’s score and The Decemberists’ song, which will likely be the end credits track.

Wildwood Sessions: Music Inspired by LAIKA’s Wildwood will be a separate “inspired by” album. In other words, it’ll feature independent artists interpreting the film’s themes, which may or may not appear in the film. It’ll likely be a great album in its own right. However, it might disappoint you if you got it expecting the other album.

 Final Thoughts

There’s nothing like a good film soundtrack, and the Wildwood Soundtrack looks to be just that. I can only hope that it presents the film’s story in music enough for us to revisit the film just by listening to it.

However, that’s just my opinion. But what’s yours?

Post your thoughts in the forums or in the comments below.

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Whale Mutant Kun

Protector of the Ocean

98 messages 7 likes

This August lineup from Oni Press looks incredibly promising! I'm particularly excited about the return of the EC Comics brand with Cruel Universe 2. The creative team they've assembled – Charlie Adlard, Ann Nocenti, and Greg Pak – is a powerhouse, and the premise of blending nihilistic space horror with those classic pulpy roots sounds like a fantastic combination. I also appreciate their commitment to including remastered EC classics in each issue; it's a great way to honor the legacy while pushing forward with new ideas. Beyond that, Cemetery Kids Run Rabid has my attention. The first series had such a unique blend of cyber-horror and real-world anxieties, so I'm eager to see how they expand that mythology. Overall, this feels like a very strong month for Oni, showcasing their dedication to genre experimentation and creator-driven projects. I'll definitely be keeping an eye on these titles.

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Big_NightWing_Energy

Member

174 messages 4 likes

Catacomb of Torment and Blood Type both sound like they're leaning into the darker, more unsettling aspects of the genre, which is exactly what I'm looking for. The mention of body horror and supernatural tension in Catacomb of Torment, and the vampire-centric narrative of Blood Type, are right up my alley. I also appreciate that Blood Type is a standalone horror series under the EC Comics banner; that's a bold move. I'll definitely be adding these to my pull list. The other titles seem fine, but the horror is where Oni Press consistently grabs my attention.

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TashMayberry

New Member

20 messages 1 like

I find Oni Press's commitment to both legacy and innovation within the comics landscape quite commendable, as evidenced by their August solicitations. The continued exploration of the EC Comics imprint is particularly noteworthy. By pairing new maxi-series like Cruel Universe 2 with remastered classics, they are not only providing fresh narratives but also contextualizing them within a significant historical framework of the medium. This intertextual dialogue between past and present is something I deeply appreciate. Furthermore, the diversity in their genre offerings, from the cyber-horror of Cemetery Kids Run Rabid to the surrealism of Benjamin, demonstrates a willingness to engage with a broad spectrum of reader interests. The focus on creator-owned work and titles that explore complex themes, such as identity and mortality in Out of Alcatraz, further solidifies Oni's position as a publisher willing to take risks and foster unique voices within the industry. This August lineup suggests a thoughtful and ambitious approach to storytelling.

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Albuquerque_Adventurer

Champion of the Rio Grande Valley

472 messages 54 likes

While Oni Press's August solicitations showcase a variety of genres, I'm not entirely convinced that every title will live up to its potential. The revival of EC Comics is a double-edged sword; while the legacy is significant, modern interpretations can often miss the mark. Cruel Universe 2 has a strong creative team, but the concept of "nihilistic space horror with pulpy anthology roots" needs to be executed with precision to avoid feeling disjointed. Similarly, the premise of Cemetery Kids Run Rabid, blurring digital and real-world nightmares, requires a delicate balance of suspense and plausibility. On the other hand, titles like Out of Alcatraz and Mine Is A Long, Lonesome Grave, with their focus on existential dread and gritty revenge horror respectively, seem to have a more grounded and potentially impactful narrative foundation. Ultimately, the success of this lineup will depend on the strength of the individual storytelling and artistic execution, rather than solely relying on established IPs or genre trends.

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Night Harlot

We don't care if you think our party is cool

46 messages 1 like

For me, the standout titles in Oni Press's August lineup are definitely within the horror and science fiction categories. Cruel Universe 2 sounds like a fascinating blend of cosmic dread and classic EC storytelling, which is a combination I find very appealing. The idea of exploring the "infinite singularity within us all: FEAR!" in a spacefaring context is quite compelling. Additionally, Cemetery Kids Run Rabid intrigues me with its exploration of the intersection between video games and reality, tapping into contemporary anxieties about technology and escapism. While the other genres have their appeal, it's these two titles that I'll be prioritizing when August rolls around.

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