Scene from HBO's 'Welcome to Derry' teaser featuring a person with a terrified expression and blood splatters, highlighting horror elements and Pennywise in the storyline.

Welcome to Derry: It returns with more dread


Welcome to Derry: More Floating, Fewer Grins (and Even Fewer Survivors)

One might be interested to know that “Welcome to Derry” is indeed a prequel to the “It” film franchise. Apparently, we’ll get to see Pennywise before its well-documented run-in with the Losers’ Club. Bill Skarsgård is back as the dancing clown, presumably because he enjoys the work, or perhaps finds the local demographics particularly palatable.

Cosmic Origins and Mundane Dates – Also, Historical Incineration

The series is set in 1962, a full 27 years before the events of IT: Chapter One (1989). This means we’ll observe a different cycle of terror, allowing viewers to appreciate the entity’s earlier, perhaps less refined, methods of influence on the town. It’s said to expand on the “interludes” from Stephen King‘s original novel, which detailed past civic unpleasantries in Derry. The trailer features a particularly optimistic young boy trying to hitchhike out of town, declaring, “Anywhere but Derry.” One can only imagine his subsequent travel plans, or lack thereof.

For those unfamiliar, Pennywise isn’t just a clown. It’s actually an ancient, malevolent being from the Macroverse, which sounds like an exceptionally large universe. Its true form, visible primarily to those experiencing extreme distress, is a swirling mass of orange lights. Apparently, it arrived on Earth millions of years ago after an unfortunate encounter with Maturin, a benevolent, universe-creating turtle god. After this perceived setback, It decided to regroup under what would eventually become Derry, patiently waiting for humans to evolve so it could, rather unsportingly, feed on their fears. “Welcome to Derry” will delve into these earlier, less successful attempts at maintaining a low profile, primarily by consuming children.

IT: Welcome to Derry | Official Teaser

Production Notes and Unlucky Protagonists (Emphasis on “Unlucky”)

A production commitment was secured in November 2022, which is when these things generally get started. Jason Fuchs and Brad Caleb Kane are co-showrunners, tasked with guiding the narrative. Fuchs is also writing, and Andy Muschietti, who handled the previous “It” films, is directing several episodes, including the pilot. One imagines he knows his way around Derry by now, which is to say, he knows where the bodies are buried, metaphorically and probably literally.

Curiously, this series features a different group of children as its leads. The trailer suggests these young characters, described as somewhat “ahead of their time,” will attempt to confront Pennywise. Scenes of children outdoors and discussions about missing persons vaguely resemble the premise of misfit youth tackling ancient evil. However, unlike the Losers’ Club, these children may not fare as well. Casting director Rich Delia made a point of mentioning the search for “memorable kids” for the audience to “love, and some to die.” It seems this group’s luck may be decidedly less charming, leaning more towards “tragic footnotes in a clown’s diet.”

The trailer also hints at exploring Derry’s consistently unpleasant history, specifically the infamous burning of the Black Spot. This was a nightclub for Black patrons that was unfortunately destroyed in one of Pennywise’s more spectacular catastrophic cycles, as chronicled in Mike Hanlon’s meticulously depressing interludes from King’s novel. Adding to the familial gloom, Jovan Adepo and Taylour Paige are rumored to play Will and Jessica Hanlon, presumably Mike’s parents, thereby connecting them directly to this rather fiery event. It seems the Hanlon family has a long-standing, if unenviable, relationship with Derry’s more destructive tendencies, proving that some family legacies are just a bit more flammable than others.


“Welcome to Derry” is scheduled to arrive on Max (formerly HBO Max) in Fall 2025. A precise release date remains, as often happens, unannounced. But do mark your calendars; it promises to be a real killer.

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Avatar of TheMidnightMadness
TheMidnightMadness

New Member

505 messages 34 likes

’m genuinely curious about Welcome to Derry. Exploring the deeper lore of Pennywise and seeing the 1962 cycle has potential. I think the decision to cast Bill Skarsgård again was a strong move—he made that role iconic in his own way. What I appreciate most from this write-up is how it highlights the cosmic angle. Not everyone realizes that Pennywise isn’t just a creepy clown. The Macroverse, Maturin, and the whole mythos add an unusual depth to what could otherwise be seen as just another supernatural killer story.

That said, I worry about the “different group of children” angle. We already know they don’t survive in the way the Losers did. So the suspense shifts from “who survives?” to “how bad does it get?” which could feel a bit repetitive or emotionally hollow if the writing isn’t careful. I hope they avoid overusing jump scares and instead lean into the slow psychological dread that made King’s best work so effective.

If the series really digs into Derry’s history—like the Black Spot tragedy—it could actually say something meaningful about fear, racism, and generational trauma. That would elevate it from a horror cash-in to a legitimate prequel worth its runtime.

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Avatar of СтасSkani
СтасSkani

Member

554 messages 7 likes

The part about the Black Spot interested me most. I teach American history, and sometimes I bring pop culture into the classroom to help students connect with heavier topics. If the show is honest in how it portrays racially motivated violence, especially within the framework of horror, then it has real educational value. But if it's just using those events as spooky backdrops, that could be insensitive.

As a series set in 1962, Welcome to Derry has an opportunity to reflect on what that time meant for different communities, especially Black Americans. I’m glad to hear that Jovan Adepo and Taylour Paige are involved—they’re talented and could bring a lot of nuance.

I don’t usually watch horror unless it has something deeper to say. So I’ll be waiting to see if the show is thoughtful or just cruel for entertainment.

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Avatar of Jayce
Jayce

Oh the Misery

46 messages 1 like

It’s really exciting to see HBO Max expanding the It universe, but part of me wonders if it’s necessary. The original story worked so well because it gave closure. By going backward, the show risks unraveling what made the first chapters strong. However, the inclusion of the Macroverse and Maturin intrigues me. I always felt those elements were underused in the films. If this prequel embraces the weird, cosmic aspects of King’s universe, it might offer something fresh.

I’m also curious about the format. Will it follow an anthology style? Or will we stick with the same characters across episodes? The article hints that these kids won’t make it out alive, so the show has to work harder to make us care. That’s a real writing challenge.

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LeoDurkin8

Active Member

621 messages 44 likes

I also that Bill Skarsgård is back. He really made the character his own without copying Tim Curry. Pennywise should feel wrong, like something pretending to be human, and he nailed that. I hope they let him go even weirder this time.

My only concern is the kids. The Losers’ Club worked because we saw them grow. If these new kids don’t survive or don’t have strong personalities, it might feel empty. Still, seeing Pennywise less experienced and maybe more wild could be great. I’m definitely watching.

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Seb

New Member

99 messages 0 likes

WOW
I love that they’re digging into the mythology. The Macroverse stuff, Maturin—all that is wild in the book. The movies barely touched it. I hope the show goes full horror-fantasy and doesn’t hold back.

If they’re going to show more of Pennywise’s “evolution,” that could be next-level creepy. We’ve seen it smart and careful—what does it look like when it’s still learning?

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Avatar of Murder Clown
Murder Clown

I wanna make you laugh and then I want to stab you

21 messages 0 likes

The best thing about Welcome to Derry is that it gives us more Derry. Fans know the town itself is almost a character—it hides the evil, lets it grow, and looks away when things go wrong. I want to see how that started. I’ve always thought the interludes in the book were some of the best parts. They were scary in a different way—historical, believable, almost too real. The fire at the Black Spot was especially haunting. It was human cruelty and Pennywise’s influence combined. If the show does that story justice, it could be powerful .And yes, give us more of the Macroverse! I love when horror mixes with big, strange ideas. Maturin, the Deadlights, It’s crash to Earth—there’s so much there to show .It might not be for everyone. If people are just expecting more red balloons and sewer scenes, they might be confused. But for fans who read the book and love the lore, this could be something really special.

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Avatar of I need a hero
I need a hero

Member

549 messages 16 likes

The Hanlon family’s history is one of the saddest parts of the book, and I’m glad the show seems to be focusing on that. Mike was the historian of the group, and now we get to see where his story came from.

I just hope they don’t tone it down. The book was violent and emotional and weird. The show should be too.

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Avatar of Maria Jose M
Maria Jose M

Active Member

426 messages 30 likes

What draws me in here isn’t just Pennywise—it’s the potential to deepen the mythos of King’s universe. Derry has always been more than just a town; it’s a metaphor for hidden evil. By situating the story in the 1960s, they might explore systemic darkness alongside supernatural horror. If done right, this could be more than just a scary clown story—it could be a social horror piece. Skarsgård’s return might also mean we’ll see a more nuanced Pennywise, and that’s an exciting prospect.

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Avatar of Night Harlot
Night Harlot

We don't care if you think our party is cool

46 messages 1 like

One thing I noticed is the cast list—there’s more representation this time. That’s important, especially when telling stories about America’s past. Horror should reflect everyone’s fears, and I’m hoping this show gives depth to its new characters. Horror is a great way to explore identity, trauma, and even racism, especially in the 1960s. If the writers are brave, they could do something really meaningful here, not just scary.

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