screenshot 2026 01 10 at 3 19 04 am

Stupid Never Dies – Capcom Veterans Reveal New ARPG

The minds that made action packed Capcom classics are back at a new studio with an upcoming ARPG. Coming soon in 2026 is Stupid Never Dies.

Developed by GPTRACK50 Inc., Stupid Never Dies is an Action RPG. Hiroyuki Kobayashi leads the games development, a veteran of the gaming industry who previously worked with Capcom. Alongside him is an equally experienced team who have worked with him on many classic titles, like Resident Evil and Devil May Cry.

While the game is an action RPG, the studio states that the game is much more than that. Stupid Never Dies touts itself as the first Blazing Fast Growth genre, and incorporates onto the base ARPG experience. Add onto that a unique punk visual style, making this game one you will want to look out for in the future.

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A ZOMBIE, A GIRL, AND A DUNGEON OF MONSTERS

Taking place in a dungeon of monsters, you play as a zombie named Davy. Stuck at the bottom of the monster hierarchy, he finds his life turned upside down when he finds a frozen human girl. Now he seeks to bring the girl back to life, achieving that by fighting his way through the dungeon.

Being an ARPG, you engage enemies in fast paced combat to level up and upgrade Davy. Being a zombie, his body is very modifiable, allowing for a bevy of interesting upgrades. You can even steal abilities from the monsters you fight, and make them your own.

screenshot 2026 01 10 at 3 18 51 am

Speaking of enemies, you have a wide variety of classic monsters to butcher your way through. You’ll fight through skeletons, lizard men, werewolves, and more as you make your way through the dungeon. Take what makes them dangerous, and become strong enough to take on anything that gets in your way.

WHAT TO EXPECT FROM THIS UPCOMING ARPG

  • Traverse a dungeon of creatures as Davy the zombie to save the human girl Julia from her frozen fate.
  • Cut through hordes of different classic monsters in fast-paced gameplay in this “Blazing Fast Growth” game.
  • Increase your strength by upgrading your undead body and stealing the powers of enemies you fight.
  • Drink in the unique art style and soundtrack inspired by the pop-punk genre.

The game will release sometime later in 2026. The game will launch on Playstation 5 and through Steam. You can also discuss Stupid Never Dies on the PopGeeks Video Game Forum!

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Avatar of Travis
Travis

Member

498 messages 19 likes

If Disney wanted a Latina princess, they should have just created a new one instead of forcing Snow White into something she was never meant to be. There are so many rich stories and legends from Latin American cultures that could have been adapted into an original Disney film. Why not give audiences something fresh and authentic instead of changing a well-established character?

Or, if they really needed more Latina representation in their princess lineup, they could have just counted Marisol. You might say, "But she’s not a princess!" Well, Mulan isn’t a princess either, yet Disney includes her in the official lineup to fill a diversity quota. If they can do that for Mulan, why not Marisol? It would make more sense than changing Snow White into something unrecognizable.

At the end of the day, forced diversity doesn’t feel like real representation. It’s lazy. Instead of celebrating different cultures by telling their stories, Disney just recycles old characters and expects people to accept it. Representation should be about expanding storytelling, not rewriting history.

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Avatar of JinnyGoesKrazy
JinnyGoesKrazy

❤️ I want nobody but you

189 messages 9 likes

Disney absolutely should have media-trained Rachel Zegler before putting her in front of the press. Being the lead in a major Disney remake comes with enormous scrutiny, and every word she says carries weight. Her dismissive comments about the original film, especially calling it "weird, weird, weird," made things worse. That phrase has now turned into a meme in the worst way possible—people use it to mock her and the film. A well-prepared actor would know how to navigate tricky questions without alienating fans. Even if she personally didn't like the 1937 classic, there were better ways to express that without insulting a beloved piece of cinema history. Media training isn’t about restricting speech—it’s about understanding how to communicate effectively.

Disney should have guided her on how to show enthusiasm for the project while respecting the legacy of the original. Instead, she came off as dismissive and out of touch with the audience that was supposed to support her. This backlash could have been avoided with better PR strategy, but now the damage is done, and her words will follow this film forever.

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Avatar of PKClinton
PKClinton

Member

399 messages 21 likes

It’s pretty obvious that Disney is prioritizing the Asian market because they know the "woke vs. anti-woke" debate in Western countries isn’t as relevant there. In the U.S. and Europe, this film is stuck in endless culture war arguments, but in Asia, audiences are generally less concerned with those specific controversies. Instead of trying to win back Western viewers, Disney is putting more effort into marketing in countries where they still have a strong brand reputation.

By hiring famous local singers and possibly adjusting the film’s content, Disney is making a calculated move to ensure the movie does well in Asia. They’ve done this before—China, for example, is one of their biggest markets, and they often tweak films to fit government and cultural expectations there. It’s not about artistic integrity or political statements; it’s just business. If they thought the U.S. market would respond positively to the same level of targeted marketing, they would do it there too. But right now, their best bet for profitability is in Asia, where they can sell the movie without as much baggage.

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Avatar of Vic
Vic

KISS OF DEATH

286 messages 20 likes

From a business standpoint, Disney’s approach makes sense. The controversy surrounding this film is intense, and adjusting the content for different markets is just strategic. Many companies adapt their marketing to fit regional audiences, so why should this be any different? Snow White is an iconic character, but Disney is in the business of making money. If they think changes will help them sell tickets overseas, then that’s what they’ll do. At the end of the day, it’s all about the box office numbers. They still want to salvage the movie.

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Avatar of Harvardine
Harvardine

Member

431 messages 0 likes

It’s honestly weird how many of Rachel Zegler’s biggest haters are grown men. This is a Disney movie aimed at kids, specifically little girls, yet I keep seeing middle-aged guys acting like this film is some personal attack on them. Criticism is one thing, but the way people have harassed Rachel online is just excessive. She’s an actress doing her job—she didn’t cast herself, and she doesn’t deserve the level of hate she’s getting.

If you don’t like the casting or the changes to the movie, just don’t watch it. Simple. But harassing a young woman over a fairy tale movie? That’s embarrassing. People act like she personally ruined their childhood when, in reality, this movie was never meant for them in the first place. Disney makes movies for kids, not for grown men who spend their time being angry on the internet. Let little girls enjoy their Snow White, and if it’s not for you, move on.

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Avatar of Zump
Zump

Member

421 messages 5 likes

Honestly, I just watch movies for entertainment, and all this drama is exhausting. People complain about everything these days. If the movie is good, that’s all that should matter. That being said, I do think Disney is trying too hard to please everyone. Changing a film just for certain countries makes it seem like they don’t even believe in their own choices. I might watch it when it’s streaming, but I won’t go out of my way for it.

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Avatar of Shayla_15200
Shayla_15200

I am Alive!

140 messages 1 like

It’s frustrating to see how companies view Asian markets. Changing things for Asian audiences makes it seem like Disney assumes we don’t care about the same issues as Western viewers. If the movie was flawed from the beginning, no amount of regional editing will fix that. Hiring local singers to promote the film is a nice gesture, but it feels like a last-minute attempt to make up for bad decisions. A strong story should be universal—it shouldn’t need different versions to work.

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Avatar of Brave Maeve
Brave Maeve

New Member

17 messages 0 likes

This movie has become a battleground for cultural and political debates, and Disney walked right into it. The casting, the removal of the dwarves, and even the actors' personal politics have all turned this into something bigger than just a film. When even the international release has to be adjusted, it’s clear that Disney is in damage control mode. What should have been a simple live-action remake has become a case study in what happens when a studio mismanages public relations.

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Avatar of Bramble
Bramble

5 Unsuspecting Causes of Windshield Damage and How

301 messages 10 likes

This entire mess is just another example of how Disney has lost its way. They don’t care about storytelling anymore—it’s all about marketing strategies and damage control. First, they make controversial changes, then they try to fix things by catering to different regions. It’s all so calculated. I miss when Disney focused on making great movies instead of chasing trends and trying to please everyone at once.

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