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Try looking for writer/directing Pedring Lopez’s 2016 action horror, Nilalang, anywhere stateside and if you’re lucky, you’ll find it under some innocuous, generic title thanks to whatever schmuck snagged it for a legit U.S. release. It’s what’s always irked me – the dismissive, flippant way distributors handle Asian titles. That habit seems to haven’t dissipated, […]
Read the whole post here.
Read the whole post here.