This film is a fascinating take on morality and faith, but I can’t help but question the psychological transformation of Sung Min-Chan. His actions seem to escalate too quickly, even for someone under extreme stress. The way he rationalizes killing the rapist—first as an accident and then as divine justice—feels almost too convenient. I wish the film had explored his internal conflict more deeply. Did he always have a subconscious inclination toward violence, or was this purely a descent into madness? Regardless, the thriller elements were well-executed, and I appreciate how the film kept me questioning his motives until the end.