Bogotá: City of the Lost ~ You're Here, You Have to Survive!

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“Bogotá: City of the Lost” is a 2024 Korean drama categorized as a Crime Thriller, and is streaming on Netflix. SUMMARY: Sometimes change is good. Sometimes change is bad. All you know is that you have to survive. ♦ Why Move From One Country to Another Country to Be Lost “Bogotá: City of the Lost”, begins with a reference to the Asian Financial Crisis in 1997-1998 when “severe balance-of-payments pressures in South Korea brought the country to the brink of default”. Because of the country’s financial crisis Guk-Hui’s father uprooted the family. He, and his mother and father moved to Bogotá, Columbia. The father had a friend, Mr. Park, who lived and worked there. They were both soldiers who fought in Vietnam together. The father had high hopes. He was told that if you knew Mr. Park, your success was guaranteed. As soon as they arrived they were in a taxi on their way to meet up with Mr. Park and they got robbed. Welcome to Bogotá! There was a group of Korean merchants who did business in Bogotá. Part of doing business included smuggling merchandise into the country to sell at their shops, paying off government officials to look […]
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Bogotá: City of the Lost ~ You’re Here, You Have to Survive!

“Bogotá: City of the Lost” is a 2024 Korean drama categorized as a Crime Thriller, and is available for streaming Only on Netflix. It stars Song Joong-Ki.

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[Bramble]

I think some people are being too harsh on this movie. It’s not a traditional action-packed crime thriller—it’s a slow-burn character study. It’s about survival, adaptation, and what people are willing to do to get ahead. Yes, the pacing is slow, but that adds to the realism. Guk-Hui’s journey isn’t supposed to be glamorous; it’s messy and full of setbacks. I liked that it didn’t romanticize crime but showed its consequences.

 

[Luisito]

For a film that wanted to be a crime thriller, Bogotá: City of the Lost didn’t deliver much actual crime or thrills. The cinematography was nice, but that’s about it. The pacing was inconsistent, and the emotional beats didn’t land. If they had focused more on the underworld politics and Guk-Hui’s descent into crime, it could have been great. Instead, it felt like a collection of missed opportunities.

 

[Poncho]

I didn’t mind this one! It had a slow pace, but I liked the different setting and seeing how Guk-Hui had to adjust. The crime elements could have been stronger, though. It felt like the movie wanted to be intense but never fully committed. Still, I wouldn’t call it bad, just not as thrilling as I expected.

 

[Carly]

One thing I did appreciate was the historical backdrop. The Asian Financial Crisis in 1997-1998 pushed a lot of families into difficult situations, and I liked that the film used that as a starting point. Immigration stories often focus on hope, but this one focused on struggle, which felt more authentic. I just wish the film had explored Bogotá’s local dynamics more instead of making it feel like a generic crime setting. It had potential, but it didn’t fully capitalize on it

 

[Sue Melia Kirky]

I watched Bogotá: City of the Lost, and while it had potential, I couldn’t help but feel like it was trying too hard to be something it wasn’t. The setup was interesting—South Koreans finding themselves trapped in a harsh new world—but the execution lacked depth. Guk-Hui’s journey had the makings of a gripping crime drama, but the storytelling was sluggish, and the character development was thin. Mr. Park’s dream of a shopping mall could have been a compelling throughline, but instead, it felt like an afterthought. I understand why some compared it to Vincenzo, but honestly, Vincenzo had style and dark humor—this film had neither. 5.6 on IMDb seems fair.

 

[Walley5823]

I actually really enjoyed this movie! It painted a bleak but realistic picture of survival in a foreign land. Guk-Hui’s struggles felt authentic, and the moral ambiguity of his choices added weight to the narrative. While it wasn’t perfect, I appreciated the film’s rawness. It wasn’t just about crime—it was about adapting, about family, and about ambition. Song Joong-Ki delivered another solid performance, showing the desperation and cunning needed to navigate this unforgiving world. The setting also felt fresh; we rarely see Korean productions exploring South America. It’s not an easy watch, but I think it’s worth the time.

 

[RedStateGal76]

I had high expectations for Bogotá: City of the Lost because of Song Joong-Ki, but this film was a letdown. It was trying to be gritty, but the pacing dragged, and the tension never really built up. The whole "dirty business" angle had potential, but instead of immersing us in the underworld, the film kept meandering. Mr. Park was an intriguing character, but we barely got to know him. I wouldn’t say it’s abysmal, but I wouldn’t recommend it either.

 

[24SEVEN]

The film reminded me of Narcos but with a Korean protagonist. The concept was great—Koreans trying to make it in Bogotá, caught between corruption and survival—but the execution was uneven. I liked how it acknowledged real-world issues like smuggling and political bribery, but it never went deep enough. The themes of migration and lost opportunities resonated, but the story lacked cohesion. I don’t regret watching it, but I wouldn’t rewatch it either.

 

[Norelle]

This movie was… okay. It wasn’t terrible, but I wouldn’t call it a must-watch. The setting was interesting, and I liked the concept of a struggling Korean immigrant trying to survive in Bogotá. But the plot felt scattered, and the pacing was slow. If you’re a big Song Joong-Ki fan, you might enjoy it just for his performance. Otherwise, there are better crime thrillers out there.