What Is Coming from Oni Press in February 2026?

[PopGeeks]

Canonical URL

https://popgeeks.com/oni-press-february-2026-solicits/

Oni Press enters February 2026 with a slate that highlights the strength of its imprints and the continued growth of its creative identity. The month showcases a coordinated push across horror, licensed properties, all-ages storytelling, and prestige creator-owned work. Each line moves in a distinct direction, yet all share a clear editorial focus on craft, experimentation, and genre expansion. Horror Leads Oni’s 2026 Slate The EC line anchors the month with several major releases that deepen its modern revival. Tortured Hearts offers a seasonal one-shot built around dark romance themes, while Catacomb of Torment and Cruel Universe continue to evolve EC traditions through contemporary creators known for stylistic extremes. These books show how the EC imprint merges pulp structure with modern pacing and dense worldbuilding. February’s entries reinforce the idea that these stories function as commentaries on fear, social pressure, and the instability of the worlds their characters inhabit. Oni’s creator-driven horror also expands through Autumn Kingdom: The Wraithbound Queen, which blends dark fantasy with mythic coming-of-age storytelling. Spirit of the Shadows continues this forward momentum with a retro-powered visual style and a story about loss, identity, and supernatural pursuit. These books show how Oni uses horror as both genre […]
Read original article here:

What Is Coming from Oni Press in February 2026? | PopGeeks.com Forum | Indie Games, Movies, TV, Tabletop & Comics

Oni Press previews a major February 2026 slate led by horror, licensed favorites, all-ages adventures, and prestige nonfiction.

popgeeks.com

 

[benimaru]

Horror always grabs my attention, and the mix of EC revivals with modern creators feels like a careful balance between old and new. Tortured Hearts sounds especially interesting because it mixes romance and horror, which is unusual. I also like that Oni is not just doing horror—they have licensed properties like Murder Drones and Rick and Morty, which shows variety. As someone who enjoys comics with strong storytelling and worldbuilding, Autumn Kingdom and Spirit of the Shadows really catch my eye. It feels like Oni is putting effort into emotional depth as much as visual style. The RPG expansions are also a nice touch for people who want to experience the worlds in a different way. Overall, it seems Oni is thinking about fans with very different tastes while keeping a creative vision consistent.

 

[CodfishDreamer42]

I’m really impressed by how Oni Press handles their licensed properties. Bringing Murder Drones to comics while deepening the story instead of just copying the animation is smart. It shows respect for both the original fans and new readers. Rick and Morty and Adventure Time continuing with thoughtful storytelling is great because licensed comics often feel shallow, but Oni seems to understand that the narrative matters. I also appreciate that international titles like Ogrest and MFKZ are part of the mix. It gives readers exposure to styles and stories they might not see otherwise. Oni seems to want their comics to be more than entertainment—they want them to be meaningful and well-crafted, which I respect a lot.

 

[BoneCrusher]

Autumn Kingdom looks amazing to me. I love dark fantasy stories that explore family and myth, and this one seems to combine both in a way that’s visually and narratively strong. The description with faeries, goblins, and corrupted souls makes me think the world will feel alive and dangerous. I also like that it’s a mini-series of four issues; it feels manageable to follow a complete story. Horror and fantasy together are always a good mix for me, and with creators like Cullen Bunn and Christopher Mitten, I have high expectations for both storytelling and art.

 

[Sil]

EC revivals like Catacomb of Torment and Cruel Universe are really appealing to me because they respect the legacy of the original comics while letting modern artists take risks. I enjoy the idea that these stories use horror to explore social pressure and fear, not just gore. Tortured Hearts also sounds intriguing because it mixes romance with a dark atmosphere. As someone who appreciates both old-school comic history and new creative voices, this February slate feels like it has something special for me. It’s nice to see Oni Press valuing craft and experimentation.

 

[alexbaker]

The RPG expansions Oni is doing are very interesting to me because I love exploring fictional worlds interactively. Planet of the Apes and ANSA Sourcebooks could give fans a chance to live inside these stories and make decisions in ways comics alone can’t. It’s a clever strategy to expand engagement beyond reading. I also like that Oni is pairing these expansions with creator-owned horror and fantasy titles—it shows a commitment to building full experiences for their audience. It makes me feel like Oni is paying attention to how fans consume stories in multiple ways.

 

[PogsandJelly]

I am drawn to the nonfiction release, Gender Queer: Annotated Edition. Comics can be more than fiction, and it’s exciting to see Oni exploring cultural and personal reflection through this format. Including scholarly commentary adds value for readers who want to understand context and impact, not just enjoy the story. I appreciate that Oni is balancing fun, adventurous comics with serious, educational work. It gives their overall lineup a thoughtful dimension.

 

[Whale Mutant Kun]

I like the idea of a strong middle-grade and all-ages line. Books like Superpunk and The Pancake Trap sound engaging because they focus on character growth and creativity. I appreciate stories that mix humor and adventure while still showing challenges and emotional development. For younger readers or even adults who enjoy lighthearted stories, Oni seems to be offering material that is entertaining yet meaningful. It’s nice that they aren’t limiting their lineup to adult horror or licensed properties.

 

[InkedSkull77]

The variety in Oni’s February lineup is what excites me the most. Horror, licensed adaptations, all-ages stories, RPG expansions, and nonfiction all in one month show a willingness to take risks and serve multiple audiences. It makes me feel like Oni is confident in its identity and not just following trends. The creator-owned horror titles, especially, indicate a commitment to unique voices. I feel like there’s something for every type of reader, which is refreshing in today’s market.