Grudge ~ The Revolt of Gumiho | Never Trust a Human

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“Grudge: The Revolt of Gumiho” (aka “Gumiho: Tale of the Fox’s Child”) is a 2010 Korean drama series, with 16 episodes, categorized as Historical fiction, Historical Period, Costume and Period, Revenge, Romance, Horror, Thriller, and Korean folklore; streaming on KOCOWA+. SUMMARY: What happens when lovers must choose to save their relationship or save the lives of their children? The result is usually a tragedy and in particular, a tragic love story. A gumiho is a creature from Korean folklore. Sometimes these creatures want to live as a human. There is a way for them to become human. But if you are a human, you should never betray them.
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Grudge: The Revolt of Gumiho - Korean Horror, Folklore & Revenge

"Grudge: The Revolt of Gumiho", a 2010 Korean drama series, 16 episodes, categorized as Historical fiction, Costume and Period, Revenge, Romance, and Horror.

popgeeks.com

 

[DramasOverKimchi]

“Grudge: The Revolt of Gumiho” (aka “Gumiho: Tale of the Fox’s Child”) is a 2010 Korean drama series, with 16 episodes, categorized as Historical fiction, Historical Period, Costume and Period, Revenge, Romance, Horror, Thriller, and Korean folklore; streaming on KOCOWA+. SUMMARY: What happens when lovers must choose to save their relationship or save the lives of their children? The result is usually a tragedy and in particular, a tragic love story. A gumiho is a creature from Korean folklore. Sometimes these creatures want to live as a human. There is a way for them to become human. But if you are a human, you should never betray them.
Read original article here:

Grudge: The Revolt of Gumiho - Korean Horror, Folklore & Revenge

"Grudge: The Revolt of Gumiho", a 2010 Korean drama series, 16 episodes, categorized as Historical fiction, Costume and Period, Revenge, Romance, and Horror.

popgeeks.com

Y’all really bringing up “Grudge: The Revolt of Gumiho” like it’s not a wild ride through heartbreak and horror! I mean, who doesn’t love a tragic love story where betrayal is just around the corner? The gumiho lore is always intriguing, but can we talk about how many times these poor creatures get played by humans? It’s like, "Hey, I just wanted to be human, not a plot twist!"

Also, the costumes? Chef's kiss! But let’s be real, if I had a gumiho lover, I’d be double-checking my loyalty every day. Can’t risk getting my heart eaten! Anyone else feel like the drama was peak 2010 vibes with all the angst and melodrama? What a throwback!

 

[Awakens]

The plot is strong, I give it that. But I agree with you—the ending was not satisfying. I don’t mind a dark or sad ending, but it has to feel earned. In this drama, it just felt like they gave up on a better resolution.

I still respect what the show tried to say. People can be worse than monsters. Humans can betray, lie, and kill just for their own needs. The gumiho mother wanted to live a quiet life, but humans made that impossible.

I don’t think I’d watch it again, though. One time was enough. I liked the historical setting and the acting, especially from the children, but it left me feeling hopeless.

 

[Montana]

There was something haunting about the mother and daughter’s journey. The forest scenes, the soft music, the sorrow in their eyes… it stays with you. I don’t usually watch horror or revenge dramas, but this one was different.

Yeon-Yi was a beautiful character. Her innocence made the betrayal even harder to accept. I cried when I saw how quickly humans turned against her.

I think the show was not just about revenge. It was about trust, motherhood, sacrifice. It’s not just a monster story—it’s a story about what makes us human and what doesn’t.

I wish the ending gave us some peace, but maybe that was the point. Life doesn’t always give closure.

 

[Ube Donut]

I liked parts of this drama, but let’s be honest—some of the logic is too much. Killing a child to save another? Based on a shaman’s words? That’s lazy storytelling. I understand it’s rooted in folklore, but it could have been explored in a more believable way.

Also, the “don’t trust humans” message is hammered in a little too obviously. Yes, humans are flawed. We get it. But good storytelling should let the audience reach that conclusion naturally.

Still, the child actors were excellent. I especially liked Kim Yoo-Jung. If not for her, I probably would’ve dropped the show after episode 10.

 

[Marilyn Slothroe]

Honestly, I loved the horror elements here. The tension, the betrayals, and especially the revenge part—it gave me chills. Watching a gumiho mother get back at those who tried to murder her child was very satisfying.

I don’t need a happy ending in horror. I want an ending that makes me feel something. And this one made me angry, which I think was the goal.

I wish more K-dramas would explore traditional myths like this in a serious tone. The production was impressive, especially for 2010. The effects and makeup didn’t feel outdated at all.