The "Pay Poor Tax" Chance card from "Monopoly." Monopoly and its imagery are trademarks of Hasbro, Inc. This image is used under fair use for non-commercial, editorial purposes.

Diamond’s Flush: The Bad Beat Faced By Small Businesses in the Wake of Diamond’s Bankruptcy

According to trusted financial advisor and shipping merchant who raises fancy dogs Lord Rupert Everton, bankruptcy is nature’s do-over – a fresh start. No debts, no baggage. It’s almost like the witness protection program. The process itself is simple.

STEP 1: Step outside the office breakroom.
STEP 2: Declare bankruptcy as loud as humanly possible.

According to those familiar with bankruptcy, however, it’s a lot more complicated. And as Stephen Glickman, owner and general manager of Roll for Combat, will tell you, it’s a lot less funny and involves 100% less Michael Scott appearances.

HOW DIAMOND BECAME THE INDUSTRY’S VILLAIN

Unless one has a very inside knowledge of the comic book or tabletop role-playing game industries, the name Diamond Comic Distributors may not ring any bells. In a perfect world, this would be par for the course. Diamond Comic Distributors, as the name implies, is a distribution house for several comic book and tabletop book publishers. Along with the aforementioned Roll for Combat, Diamond distributes books for tabletop publisher Paizo as well as independent comic studios such as BOOM! Comics and Image. Even the mighty DC and Marvel have found themselves in bed with Diamond.

However, Diamond now finds them in the role of supervillain. In a video posted to YouTube, Glickman states that since filing Chapter 11 bankruptcy, courts have granted Diamond permission to liquidate their inventory to pay their creditors. “They’re going to take all my books, all the books from 124 other people, and just sell them and keep everything.”

Related: All Oni Press Comics Shipping September 2025

THE DISPUTE OVER INVENTORY OWNERSHIP

The question then becomes whose stock is it anyway? In a follow-up email, Glickman claims Diamond is “arguing that everything in the Diamond warehouse once Chapter 11 was declared can be sold and liquidated to pay off the creditors. Our argument against this is that since the initial Chapter 11 date in January 2025, Diamond was continuing to do business as usual. They continued to receive new stock and send out old stock, take orders, fulfill orders, and pay out publishers.” In addition to not having received any revenue for November and December, Glickman and other publishers argue that they have no right to any stock received after the bankruptcy filing. At the very least, he argues, the holders of the ownership rights deserve to get their stock back.

At the crux of the issue is the matter of ownership. As such, yet again, join me, Professor PopGeeks, as we have another lesson in economics. This time, we need to dive into the inner workings of consignment.

(Click for larger image)

consignment infographic

WHAT’S MEANT BY CONSIGNMENT

Simplified, a consignment agreement is an agreement between the owner or creator of a work – in this case, a comic book or tabletop book – and another party such as Diamond. In this agreement, the owner/creator (the “consignor”) enters a contract with the distributor (the “consignee”) for the distributor to sell its product. The distributor then reaches out to sales outlets to sell the consigned product wholesale.

This could include comic book shops, game stores, and major retailers such as Barnes & Noble. The retailers pay the distributor wholesale, and the distributor remits payment to the owner/creator per the terms of the consignment agreement. When it works, it’s a smooth process, and puts titles readers and players love on more shelves. The owner/creator sacrifices some of the profit in order for the distributor to do the work of selling, and the distributor pockets a little coin for being a third-party middleman.

The flow of ownership rights is the current problem at hand, however. In a usual consignment agreement, ownership rights stay with the consignor; the consignee never holds those rights. They stay with the owner/creator until the product is sold to the retailer, at which point the retailer then holds the ownership rights. Those items are now able to be sold to consumers and shoppers.

So is Diamond within its legal rights to sell Roll for Combat’s product to pay its creditors? Welllllllll……

 

Roz and Mike Wazowski, "Monsters Inc."

ON THE OTHER HAND…

Diamond has an ace up its sleeve in the form of Uniform Commercial Code Article 9, requiring a consignor “perfect” their interest in the goods involved in the consignment agreement. This process involves specific paperwork and notifying the necessary creditors.

Diamond’s argument relies on what I’ve nicknamed “the Roz Clause.” To quote Mike Wazowski’s workplace nemesis, Roz, “you didn’t file your paperwork.” Essentially, Diamond is arguing that consignors didn’t perfect their interest in the consigned goods, therefore they can liquidate the inventory to pay their debts.

Aside from the judiciary landscape currently leaning right and favoring businesses over individuals, a bankruptcy court would most likely lean in Diamond’s favor, as the matter may boil down to a question of if the consignor followed procedure in Uniform Commercial Code Article 9 – the consignor either did or didn’t.

Does that leave entities like Roll for Combat out in the cold empty-handed? Welllllllll……

ON THE OTHER OTHER HAND…

While the deck seems to be stacked in favor of Diamond, in follow-up emails with me as well as a follow-up YouTube video Glickman says that Diamond acted as if everything was hunky-dory. According to Glickman, business as usual sallied forth. Diamond received stock, sold it to retailers, and sent sales reports; therefore, any product consigned after the January 2025 bankruptcy filing should not be subject to liquidation.

Chase, the bank trying to collect on Diamond’s debts, have given all parties until July 21 to respond, the same week as the industry-defining megaconference, San Diego Comic Con. How convenient for Chase.

 

Lex Luthor (circa 2022)

ROLL FOR IMPACT ON CONSUMERS

Ultimately, consumers won’t feel the effects… right away. In interviews with local game stores, employees said that while Diamond does have a healthy thumbprint in their ordering, no price changes have gone into effect yet. Eventually, though, that might change. Though any liquidated stock can be reprinted, Glickman says that smaller businesses will suffer through reprinting thanks to higher costs associated with materials thanks to the scattershot tariff policy of America’s Dear Leader. In turn, this will cause higher prices, leading to higher retail values, which of course leads to more coin falling out of consumers’ wallets.

Ultimately, it’s yet another story about how money ruins things. And while wealthy figures like Lex Luthor, Kingpin, and Elon Musk occasionally get what’s coming to them, in reality it’s more frequent where the haves stand victorious over the have-nots.

Next: Diamond’s Flush: The Bad Beat Faced By Small Businesses in the Wake of Diamond’s Bankruptcy on our Forums

KEY TAKEAWAYS

  • Diamond Comic Distributors filed for Chapter 11 bankruptcy in January 2025, allowing it to liquidate warehouse stock to pay creditors.
  • Small publishers like Roll for Combat allege Diamond continued business-as-usual post-filing, including accepting and distributing new inventory without compensation.
  • Publishers claim ownership of unsold stock, arguing Diamond is unlawfully liquidating goods that were consigned and not legally transferred.
  • The dispute hinges on Uniform Commercial Code Article 9, which requires consignors to “perfect” their interest in consigned goods through specific filings.
  • Diamond’s legal defense is that publishers failed to file proper paperwork, forfeiting their rights to reclaim unsold inventory.
  • Legal precedent and current judicial leanings favor Diamond, but actions taken after the filing date could complicate the outcome.
  • Consumers may not feel immediate effects, but potential reprint delays and increased production costs could drive up future prices.
  • The case underscores the fragile position of indie publishers, who rely on third-party distributors but often lack legal leverage in bankruptcy disputes.
  • Chase Bank’s creditor deadline of July 21 coincides with San Diego Comic-Con, adding public pressure to the situation.
  • This case could set precedent for how consignor rights are handled in similar industry bankruptcies, especially within comics and tabletop gaming.

 

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Avatar of RI_DungeonMaster
RI_DungeonMaster

Roll for initiative

50 messages 0 likes

Great. Another story where the big guy screws over the little guy and gets away with it because of some fine print. “You didn’t file your paperwork” – really? That’s your defense? If I ran my business like that, I’d be run out of town. But because it’s Diamond and they’ve got lawyers, it’s fine? They took goods that don’t belong to them. That’s not bankruptcy strategy; it’s theft with extra steps. And it’s even more insulting because they kept operating like everything was normal. That’s calculated. I hope Glickman and the others keep fighting, even if the odds are bad.

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Avatar of Devid
Devid

New Member

3 messages 0 likes

I didn’t know any of this until now. Honestly, I thought Diamond just did comic stuff, didn’t realize they handled tabletop games too. If they’ve been doing business post-bankruptcy and accepting new books, how is that fair? It’s like lying by silence. You pretend everything is okay while setting up to keep the stuff? Not cool. I feel bad for the indie teams.

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Avatar of BenjaminBenjaminBenjamin
BenjaminBenjaminBenjamin

New Member

925 messages 30 likes

There’s a part of this that bothers me on an educational level. This article highlights how complicated business law can be. The idea of “perfecting your interest” in a product sounds abstract, but it has serious consequences. It’s a reminder that creators need better training in legal basics. Not just contracts, but things like UCC filing and creditor notices. I’m a business teacher, and I plan to use this case as a real-life example of how missing one step in a process — even paperwork — can destroy your work. And that’s not fair, but it’s real. I feel for Glickman and the others. I really do.

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Avatar of CaptainJanewayLover
CaptainJanewayLover

Captain of of my own express

17 messages 0 likes

I'm not in the comic business, but I love reading indie graphic novels, and this article made me think about all the invisible work behind getting those books on shelves. It’s shocking to me how one distributor can have so much power over so many smaller creators. If Diamond can just declare bankruptcy and then claim stock they don’t even legally own, that feels wrong. I understand paperwork matters, but doesn’t intent matter too? I mean, if Diamond was still taking in stock and acting normal, then how could anyone know they were in bankruptcy mode?

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Avatar of ReginaKetchum
ReginaKetchum

Larping is a contact sports!

80 messages 3 likes

Honestly, while I feel for the publishers, this might just be a legal lesson learned the hard way. Business is cold. The fact that many small creators didn’t “perfect” their interests in the goods means they left themselves open. Yes, it’s unfair in spirit, but legally, Diamond might walk away clean. I think the best move now is to push for reforms or at least create accessible legal guides for consignors. This situation is brutal, but it may be a starting point for more awareness.

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Avatar of Chance
Chance

Member

432 messages 13 likes

So let me get this straight: Diamond got itself into debt, filed for bankruptcy, and is now selling other people’s books to pay off their bills... because the artists didn’t send in the right form? That’s like someone stealing your car and telling the judge it’s fine because you didn’t register the VIN number in triplicate. I get it, law is law. But there has to be a limit to how much nonsense we accept in the name of legal procedure. If a distributor can become a black hole where inventory disappears, we’ve officially hit peak broken system.

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Avatar of Luca
Luca

My Name is Luca, I live on the second floor

394 messages 24 likes

I think creators should explore direct-to-consumer models more. Digital storefronts, crowdfunding, conventions — anything that skips over greedy middlemen. This article shows why. Distributors like Diamond look like friends, until they’re not. I hope Glickman and the others find a way to fight back. Maybe this will push the industry into a better system.

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Avatar of FalconPunch77
FalconPunch77

New Member

498 messages 18 likes

I feel hopeful that this fight can bring change. The article explains the dispute in a way I can follow, and I see that many publishers are ready to claim their rights. I imagine that by coming together, they can negotiate better terms. If Diamond allowed new stock after bankruptcy, they should return or protect that inventory. I believe the creditors will see the fairness in their claim. Even if the court leans toward Diamond, public pressure around Comic Con might encourage a deal. I want to believe that positive change can come from conflict. I feel that this moment could lead to stronger consignment rules or new protections for creative work. In my heart, I trust that communities of fans and creators will support each other.

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