OOO 22:
- Really, this guy is bringing his son along on his vigilante adventures? -__-
- These Akira-Maki scenes are getting to be really dumb. Maki doesn’t work as a comedian, stop trying to make him one. It’s bad enough he’s a nut who’s obsessed with that doll.
- I’m still trying to figure why some Yummies don’t have human faces. The ones that do, like Hopper, look more creepy. Which is good.
- Mad Eiji > clueless, bumbling Eiji. The balance worked better with Shinji (I’m using him since he’s another Kobayashi protagonist), I think. With this show, the switching between the serious and the comedic is done rather poorly. Especially when with Eiji he’s driven by a regret, whereas Shinji was merely an idealist.
- I don’t get why in a lot of these newer shows, some people seem to treat monsters so casually. “Oh this weird insect monster guy wants to help me beat up bad guys…. Ok! Nothing unusual about that!â€
- It’s said that Shu Watanabe likes doing his own action scenes, yet most of them just seem to be the standard “tackle from the waist†that a lot of the actors do now when not transformed.
- Finally, Akira on a bike!
- Really, they choose that moment (Takashi rejecting Uva) to throw in some Eiji-Ankh hijinks?
- I hope Eiji uses the Condor legs like Ryou/Gills’s Rider Kick at some point.
- How the heck could those three break through a wall so hard that it cracks that heavily??
- Jazz music does not work for battles! This isn’t Den-O and your composer isn’t Toshihiko Sahashi!
- A Rider Punch, how rare. And no Tatoba this week.
- That is Chiyoko’s worst dress to date. What is she supposed to be, a Hershey’s Kiss?
Why exactly is Goto working there again?
- Is there a Yummy next week, or is it just about Uva and Kazari?