Toku Prime
Well-Known Member
'Kishiryū' seems to be a combination of the words for "knight" and "dragon", so it looks like Sentai will be headed in a more medieval direction this coming February!
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I saw suggestions on twiter that the "sou" part could be the character for a monk/priest or perhaps "armament". The last one makes the most sense to me, particularly if they get armour upgrades.Well, people on rangerboard have been trying to translate Ryuusou & ended up with "Rice Dumplings" & "Dragon Transport." The only thing that would jump out at me with my limited Japanese is "Dragon, huh?" from the "A, sou" saying. So, I guess it must be about Knight-themed sentai who work out of a restaurant & have vaguely dragon-ish delivery vehicle mecha. lol
I'm starting to think that Toei might be making these shows for foreigners moreso than their own people. I've been on here long enough to know a lot of the classic arguments, but does anyone else think that Toei watches some of the things we say and takes them the wrong way, or a little too seriously? Like when people kept saying that Bandai clearly wanted to make cheaper or simpler toys for children to understand, or when everyone was making fun of them for having female actresses that were weirdly young, or when everyone wanted them to be more original with the henshin device designs (& we suddenly got a burgerphone morpher & a flashlight), etc, etc?
And if I may add, I might be imagining things, but it often seems like the Japanese themselves are more critical of their fictional media than we westerners are. They are able to pick it apart more heavily and spot the plot holes pretty fast. There's still a lot of western casuals and elitists who are afraid to criticize anything Japanese because it comes from a different country, which (to them) means that we as foreigners are too dumb to fully understand it. I honestly don't believe any of that. Anime and Tokusatsu are all made by humans, and no matter what country or culture you come from, anyone can make a bad story or something that just doesn't connect with audiences like they hoped. If I had to guess, the people making Tokusatsu probably just got in a creative rut or got tired of the complaints of their domestic audience, and decided it was easier to make something fun rather than try to make a masterpiece of fiction every time. But that's just my speculation.
Regarding the creative rut, I wonder how much of it is due to Bandai's "merchandise quota". Perhaps some writers are good at weaving them into the stories they want to tell, and others are not. While others still just go "screw it" and don't even try adding rhyme or reason to anything. If they are trying to "make something fun" as you say, I don't think they've been succeeding even at that. For some of us, a so-called "masterpiece of fiction" IS fun.