Nice post!!
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This situation is different though, considering how Toei actually removed part of the staff, rather than just putting pressure on them to take the show in a different direction. So, this case probably isn't so simple.
Yeah, I've seen the Brave shows you mention above and it's a pretty different situation. In Might Gaine, for instance, I recall the criticism of Takara is literally only present in the last half of the last episode. J-Decker and Goldran are straight-up silly parodies that are mostly light comedy, save for a J-Decker episode that rips on G Gundam really hard.
In Daimajin Kanon, I am not exaggerating when I say that the entire plot dwells on the horrors of Toei. The first eight episodes or so are devoted purely to how the main character is emotionally devastated because her ex-boyfriend, who is a blatant parody of Toshiki Inoue, stole her song and rewrote half the lyrics to create a horrible but extremely popular hit.
And it gets more bitter from there!
I remember that the old annual numbers were posted around here somewhere a while back, but I didn't save them and I'm probably just misremembering them. Do you have those numbers?
They're from a Japanese wiki-- maybe buried somewhere in the tokusatsu Wiki-- that my far-more-fluent friend showed me. They were part of a footnote explaining why Den-O's ratings could be so low and yet it could have so many sequels. I didn't bookmark it but I'll try to get her to dig it up for me again over the weekend.
Basically the merchandise numbers as I remember them (and my mind is far from a perfect machine), dwindle slowly downward from Kuuga, dive off a cliff with Hibiki, improve substantially with Kabuto, then spike way the hell upwards with Den-O before diving ing off a cliff again with Kiva. I don't think it listed Decade numbers at the time and for Den-O, you had to add separate movie merch numbers in for it to pass Kuuga.
I can see your point regarding Kuuga, but Faiz?
Was the show you saw a Faiz-only one? I seem to recall that it got at least one stage show that respected TV canon a lot more than stage shows usually do. I think it was about time-travel?
Anyway, your point stands for the human actor's personality, but I was kind of thinking purely in-suit. Stage show Faiz always struck me as really toned-down from proper Faiz, more of a generic "hot-blooded yet passionate" type.